Among the most original contemporary sculptors and a prominent figure on the international art scene, Mario Ceroli (Italy, Castel Frentano, 1938) draws on matter, manual skill, and the idea of “theatricality” as a “representation of life.” While not being a general catalogue, this monograph provides the first overview of his work from 1955 to 2025. Cesare Biasini Selvaggi’s historical-critical analysis spans seventy years of research, from the ground zero of figuration with figures/silhouettes (his idea of emptying the image and grasping its essential sign through shadow) to the creation of spatial-architectural machines, from scenosculpture―or the relocation of event-space into the theater―to contemporary actionsculpture, and overseas happenings and performances. Some sort of “total sculpture” described by a surprising corpus of photographs, followed at the end of the book by the appendices with the lists of solo and group exhibitions; set designs for theater, cinema, and television; installations; essential bibliography.
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Buch. Zustand: Neu. Neuware - Investigating Ceroli's conception of 'total sculpture,' from theatre sets to figural works and architectural installations Throughout his career, Italian artist Mario Ceroli (born 1938) has taken a holistic approach to sculpture--from the creation of spatial-architectural machines to 'scenosculpture' and 'action sculpture.' This monograph is the first overview of his work from 1955 to 2025. Artikel-Nr. 9788867497218
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