A 2020 article in the New York Times provocatively asked: «Everyone’s a Curator Now. When everything is “curated,” what does the word even mean?».
This conversation, starting from the verb “to curate” and exploring all its contemporary interpretations, attempts to investigate key moments in the evolving ways of representing design culture — and more. The practice of researching, communicating, and experimenting with conceptual connections between elements of a narrative is framed as a form of design practice. From exhibitions as tools for investigating design and architecture, to the evolution of the role of the “exhibition maker,” and on to new languages, tools, and methods that serve storytelling.
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