Considerato il più importante scultore austriaco vivente, già scelto per rappresentare il suo paese durante la 57a Biennale di Venezia nel 2017, nel corso della lunga e prolifica carriera, Erwin Wurm (1954) ha radicalmente ampliato il concetto di scultura, mettendo in discussione le nozioni di tempo, massa e superficie, astrazione e rappresentazione, e da molti decenni usa gli abiti per affrontare nuove possibilità plastiche. Pubblicato in occasione dell’ampia mostra monografica di Wurm, in concomitanza con la Biennale Arte 2026, il volume, realizzato con la collaborazione di Élise Mougin- Wurm, mette in relazione le opere di questo protagonista contemporaneo – che esplorano l’idea del corpo umano come scultura – con lo spirito di un luogo magico come il Museo Fortuny, dove il dialogo verte su corpo, abiti, scultura, visione dello spazio e pittura. Attraverso i saggi di Elisabetta Barisoni e Cristina Da Roit e un ricco apparato iconografico, il volume documenta la mostra personale dell’artista, instaurando fecondi confronti tra la scultura contemporanea di Wurm e la ricca eredità di Fortuny fatta di tessuti, luce, teatro e sperimentazione, approfondendo i temi dell’abito, della presenza e dell’assenza e presentando “vestiti” scultorei e involucri che evocano il corpo umano attraverso il gioco tra forma e vuoto. La monografia presenta le installation views della mostra e una selezione delle opere più recenti di Erwin, accanto a opere iconiche e fondamentali dell’intero arco della sua carriera, come la serie One Minute Sculptures che ha reso celebre l’artista fin dagli anni novanta.
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Buch. Zustand: Neu. Neuware - The catalogue of the Austrian artist's solo exhibition on the occasion of the Venice Biennale. Considered the most important living Austrian sculptor, who was previously chosen to represent his country at the 57th Venice Biennale in 2017, over the course of his long and prolific career Erwin Wurm (1954) has radically expanded the concept of sculpture, challenging notions of time, mass and surface, and abstraction and representation, and for many decades has used clothing to address sculptural issues. Published to mark Wurm's major solo show, held in conjunction with the Biennale Arte 2026, the volume, produced in collaboration with Élise Mougin-Wurm, relates the works of this leading contemporary artist - who explores the idea of the human body as a sculpture - to the spirit of such a magical place as the Museo Fortuny, whe re the dialogue centres on the body, clothing, sculpture, spatial vision and painting. Through the essays by Elisabetta Barisoni and Cristina Da Roit and compelling imagery, the book retraces the artist's solo exhibition, establishing fruitful comparisons between his contemporary works and Fortuny's rich legacy of textiles, light, theatre, and experimentation. It delves into themes of clothing, presence, and absence, presenting sculptural 'garments' and enclosures that evoke the human body through the interplay of form and void. The book features installation views and a selection of Erwin's most recent works, alongside iconic and seminal works from across his career, such as the One Minute Sculptures series, which has made Wurm famous since the 1990s. Artikel-Nr. 9788857255248
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Buch. Zustand: Neu. Erwin Wurm | Elisabetta Barisoni (u. a.) | Buch | Englisch | 2026 | Thames & Hudson | EAN 9788857255248 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu. Artikel-Nr. 136513770
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Buch. Zustand: Neu. Neuware -The catalogue of the Austrian artist's solo exhibition on the occasion of the Venice Biennale. Considered the most important living Austrian sculptor, who was previously chosen to represent his country at the 57th Venice Biennale in 2017, over the course of his long and prolific career Erwin Wurm (1954) has radically expanded the concept of sculpture, challenging notions of time, mass and surface, and abstraction and representation, and for many decades has used clothing to address sculptural issues. Published to mark Wurm's major solo show, held in conjunction with the Biennale Arte 2026, the volume, produced in collaboration with Élise Mougin-Wurm, relates the works of this leading contemporary artist - who explores the idea of the human body as a sculpture - to the spirit of such a magical place as the Museo Fortuny, whe re the dialogue centres on the body, clothing, sculpture, spatial vision and painting. Through the essays by Elisabetta Barisoni and Cristina Da Roit and compelling imagery, the book retraces the artist's solo exhibition, establishing fruitful comparisons between his contemporary works and Fortuny's rich legacy of textiles, light, theatre, and experimentation. It delves into themes of clothing, presence, and absence, presenting sculptural 'garments' and enclosures that evoke the human body through the interplay of form and void. The book features installation views and a selection of Erwin's most recent works, alongside iconic and seminal works from across his career, such as the One Minute Sculptures series, which has made Wurm famous since the 1990s.Justin Hamilton, 1 West Smithfield, EC1A 9JU London 224 pp. Englisch. Artikel-Nr. 9788857255248
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Buch. Zustand: Neu. Neuware -The catalogue of the Austrian artist's solo exhibition on the occasion of the Venice Biennale. Considered the most important living Austrian sculptor, who was previously chosen to represent his country at the 57th Venice Biennale in 2017, over the course of his long and prolific career Erwin Wurm (1954) has radically expanded the concept of sculpture, challenging notions of time, mass and surface, and abstraction and representation, and for many decades has used clothing to address sculptural issues. Published to mark Wurm's major solo show, held in conjunction with the Biennale Arte 2026, the volume, produced in collaboration with Élise Mougin-Wurm, relates the works of this leading contemporary artist - who explores the idea of the human body as a sculpture - to the spirit of such a magical place as the Museo Fortuny, whe re the dialogue centres on the body, clothing, sculpture, spatial vision and painting. Through the essays by Elisabetta Barisoni and Cristina Da Roit and compelling imagery, the book retraces the artist's solo exhibition, establishing fruitful comparisons between his contemporary works and Fortuny's rich legacy of textiles, light, theatre, and experimentation. It delves into themes of clothing, presence, and absence, presenting sculptural 'garments' and enclosures that evoke the human body through the interplay of form and void. The book features installation views and a selection of Erwin's most recent works, alongside iconic and seminal works from across his career, such as the One Minute Sculptures series, which has made Wurm famous since the 1990s. 224 pp. Englisch. Artikel-Nr. 9788857255248
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