Dennis Oppenheim was a pioneer in the fields of earthworks, conceptual art, body art, and performance. This monograph follows the studio practice, public performance works, and gallery and museum shows that took place between 1969-1973 in which documentation of conceptual performance works in slide, film, video, and photographic form exhibited alone or as a component of installation. A special emphasis will be how works such as Arm and Wire, 1969; Reading Position for Second Degree Burn, 1970; and Wishing Well, 1973, are realized through diverse mediums and modes of work in which the idea and act of time-based performance is central.
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Nick Kaye is Professor of Performance Studies at the University of Exeter. His research focuses on the development of performance theory and practice through sculpture, architecture, conceptual and performance art, experimental music, installation, and video. His books include Art into Theatre: Performance Interviews and Documents (1996), Site-Specific Art Performance, Place and Documentation (2000), Multi-Media: video-installation-Performance (2007), and Performing Presence (2011, with Gabriella Giannachi).
Amy van Winkle Oppenheim is Curator of the Dennis Oppenheim Archive, which contains the artist's notebooks, sketchbooks, exhibition materials, correspondence, photographic documentation, project notes, a reference book collection, personal books and family records.Dennis Oppenheim was a pioneer in the fields of earthworks, conceptual art, body art, and performance. This monograph follows the studio practice, public performance works, and gallery and museum shows that took place between 1969–1973 in which documentation of conceptual performance works in slide, film, video, and photographic form exhibited alone or as a component of installation. A special emphasis will be how works such as Arm and Wire, 1969; Reading Position for Second Degree Burn, 1970; and Wishing Well, 1973, are realized through diverse mediums and modes of work in which the idea and act of time-based performance is central.
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Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2150grams, ISBN:9788857230320. Artikel-Nr. 3735807
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Anbieter: FIRENZELIBRI SRL, Reggello, FI, Italien
Zustand: NUOVO. Milano, Skira cm.24x30, pp.296 , 55 ill.a colori. legatura editoriale, copertina figurata a colori. This volume provides a comprehensive account of Dennis Oppenheim's radical art practices of this explosive five-year period. Providing a principal means of spilling his Conceptual Art beyond the object or the gallery to investigate "real world" and "real time" embedded processes and places, Oppenheim's steps into performance from 1969 enacted the artist's body as the agent, material, and place of art, and extended his work toward multiple spaces and times, including cross-generational exchange. Directing the viewer toward his body as the source and material of his works, Oppenheim's procedures continue to critique the conventional material and conceptual limits of both sculpture and performance. This monograph follows Oppenheim's conceptual performance works in slide, film, video, installation and photographic form from 1969-1973, including a substantial framing essay, a newly edited interview with Willoughby Sharp, and extensive extracts from the artist's contemporaneous notes and statements. English edition. Artikel-Nr. 296145
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Anbieter: Il Salvalibro, Foligno, PG, Italien
hardcover. Zustand: New. Volume cartonato rigido di pagine 295, ricco apparato iconografico. Testo in lingua inglese, English text. Nuovo.SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. Book. Artikel-Nr. 143259
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Anbieter: Ursus Books, Ltd., New York, NY, USA
Kaye, Nick. DENNIS OPPENHEIM: Body to Performance 1969-1973. 296 pages, including 55 color and 81 b&w plates. Folio, boards. Skira, 2017. This monograph follows the studio practice, public performance works, and gallery and museum shows that took place between 1969-1973 with documentation of conceptual performance works in slide, film, video, and photographic form exhibited alone or as a component of installations. A special emphasis will be how works such as Arm and Wire, 1969; Reading Position for Second Degree Burn, 1970; and Wishing Well, 1973, are made with diverse mediums and modes of work in which the idea and act of time-based performance is central. Artikel-Nr. 173665
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Anbieter: moluna, Greven, Deutschland
Zustand: New. KlappentextrnrnA comprehensive view of Dennis Oppenheim s radical art practices of this explosive five-year period. Artikel-Nr. 132950433
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Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Hardcover. Zustand: Brand New. 01 edition. 295 pages. 12.00x9.75x1.25 inches. In Stock. Artikel-Nr. x-8857230325
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Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
Zustand: New. pp. 304. Artikel-Nr. 371412137
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Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - Dennis Oppenheim was a pioneer in the fields of earthworks, conceptual art, body art, and performance. This monograph follows the studio practice, public performance works, and gallery and museum shows that took place between 1969-1973 in which documentation of conceptual performance works in slide, film, video, and photographic form exhibited alone or as a component of installation. A special emphasis will be how works such as Arm and Wire, 1969; Reading Position for Second Degree Burn, 1970; and Wishing Well, 1973, are realized through diverse mediums and modes of work in which the idea and act of time-based performance is central. Artikel-Nr. 9788857230320
Anzahl: 2 verfügbar