Kim's speculative realties play out across virtual landscapes, generated with AI and video game software, where the human, the digital and the mythological unite
Using virtual reality, video games and sonic fiction, Korean artist Ayoung Kim (born 1979) creates expansive fictional universes with their own temporal and spatial laws. Her virtual entities, whether human or mythological, are controlled by the narrative form applied by those viewing her works.
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Ayoung Kim's first solo exhibition in a German museum spans over the most recent years of her artistic practice. Using artificial intelligence, virtual reality, video, game simulations, sculpture and sonic fiction, Kim creates expansive fictional universes with their own temporal and spatial laws. Her works are often linked together by speculative narratives that are still connected to the actual world that we live in. The viewers themselves are transformed into first person players, controlling the narrative from their own point of view. Her subjects are humans, mythological beings and virtual entities who cross the boundaries between different possible realities, making possible and impossible worlds collide across different times and spaces.
The exhibition at Hamburger Bahnhof does not only enable its audiences to enter Kim's virtual landscapes but extends those into the museum space where visitors can lose and reencounter themselves over and over again. This is the tenth in a series of publications accompanying solo exhibitions of contemporary artists at Hamburger Bahnhof - Nationalgalerie der Gegenwart. It comprises a curatorial introduction by Charlotte Knaup, an interview with Ayoung Kim by Sam Bardaouil, as well as two webtoons by the artists 1172 and cosmos.
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