Design 1960 1997: Catalogue Raissone (Design & Designers) - Hardcover

 
9788836651184: Design 1960 1997: Catalogue Raissone (Design & Designers)

Inhaltsangabe

The complete Rossi design works, from his Alesssi kettle to a coffee pot based on a floating theater

Over the course of four decades, the Italian architect and designer Aldo Rossi (1931–97) won international recognition in four distinct areas: architecture, drawing, urban design theory and product design. A part of Silvana’s series on 20th-century Italian design masters, this catalog explores Rossi’s under-published design oeuvre, highlighting over 70 of his projects in which he experimented with shapes and colors through a myriad of material combinations: metals and wood, marble and stone, ceramics and porcelain, artisanal and industrial fabrics, and plastic. Special attention is paid to the evolutions in his output, from his furniture collaborations with architect Leonardo Ferrari in 1960 to his industrial production for Artemide, DesignTex, Bruno Longoni Atelier of furniture, Molteni & C, Richard-Ginori, UniFor, Rosenthal and Up & Up.

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Aldo Rossi (1931-1997) added to his successful activity as architect, professor and theorist, also that - equally well known - of designer: in this field he continued with great professionalism and passion until his untimely death in 1997, collaborating with some of the most important Italian and international manufacturers, such as Alessi, Artemide, Bruno Longoni Atelier d'Arredo, Molteni, Rosenthal and Unifor. The volume investigates Aldo Rossi's activity in the design sector in its entirety, presenting the furnishings and objects designed and manufactured from 1960 to 1997. Among these, some pieces well known to the public stand out, such as the La Conica and La Cupola coffee makers by Alessi, the Cabina dell'Elba by Bruno Longoni Atelier d'Arredo or the Paris chair by Unifor, just to name a few. The analysis of this production, which also includes unpublished projects and prototypes, highlights the continuous and constant relationship with architecture, while the technical drawings and photographic and archival documentation help to restore the history of each piece. The volume includes a critical essay by Domitilla Dardi.

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