The most comprehensive overview of the politically charged work of the Iraqi-American conceptual artist behind the acclaimed cookbook A House with a Date Palm Will Never Starve
Sculptor, draftsman and sometime chef, Chicago-based Iraqi-American artist Michael Rakowitz (born 1973) takes his cue from the histories of buildings and objects to create enthralling environments, objects and interventions. Among his best-known works is his full-scale recreation of a winged bull sculpture from 700 BCE entirely clad in Iraqi date cans, installed in Trafalgar Square in London; another was his Enemy Kitchen, for which Rakowitz compiled Baghdad recipes with the help of his mother and then taught them to public audiences.
This fully illustrated survey of his most important works is accompanied by an essay by Carolyn Christov-Bakargiev, an interview with Michael Rakowitz by Iwona Blazwick and a range of perspectives contributed by Habda Rashid, Nora Razian, Ella Shohat and Marianna Vecellio.Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Iraqi-American artist Michael Rakowitz’s (b. 1973, USA) first major European survey presents a sequence of installations drawing on architecture, cultural artefacts and cuisine to tell stories of social ritual, conflict and loss. It encompasses work considering the citizen visionaries of post Soviet Hungary, Middle Eastern Beatles fans and the stone carvers of Afghanistan, with Rakowitz’s casts of players and objects revealing the legacy of colonisation, modernism and globalism. The artist’s life-size replica of the gigantic lamassu, one of two monumental winged bulls that once guarded the gates of Nineveh in Iraq, currently features on Trafalgar Square’s Fourth Plinth. This recreation of an ancient mythological creature is made from everyday date syrup cans and is part of an epic endeavour to recreate all 7,000 objects looted from the Iraq Museum in 2003, as well as those destroyed more recently at archaeological sites like Nimrud, also presented here.
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