The crumpled sculptures by American artist John Chamberlain, welded together from deformed car body parts, revolutionized the art world back in the 1950s. Through the unusual use of industrially prefabricated materials and their completely free repurposing, he released new processes of artistic forms and a consumer-oriented aesthetic. At first assigned to Nouveau Réalisme, his work at the same time evinces relationships with Abstract Realism and Minimal Art, but ultimately asserts a great measure of autonomy in its form of expression. As early as the mid-1950s, he turned to the industrial scrap from cars, which he squashed, pressed into shape and welded together. Just as important as the form is the interplay of colours which make his works dazzle and sometimes bring them into a certain proximity with colour-happy Pop Art. In addition to his internationally renowned sculptural work, Chamberlain occupied himself intensively with photography, a theme extensively addressed in this book. Sculpture and photography interact directly with each other. Unlike the sculptures, which are positioned in their materiality, Chamberlain’s photographs are marked by great blurring and fleetingness. At the same time, they absorb the element of movement in space. Chamberlain himself put it in terms of ‘bending space’. One may think of them, even more readily than of his sculptures, as the spontaneous gestural structures of Abstract Expressionist paintings.
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Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
The crumpled sculptures by American artist John Chamberlain, welded together from deformed car body parts, revolutionized the art world back in the 1950s. Through the unusual use of industrially prefabricated materials and their completely free repurposing, he released new processes of artistic forms and a consumer-oriented aesthetic. At first assigned to Nouveau Réalisme, his work at the same time evinces relationships with Abstract Realism and Minimal Art, but ultimately asserts a great measure of autonomy in its form of expression. As early as the mid-1950s, he turned to the industrial scrap from cars, which he squashed, pressed into shape and welded together. Just as important as the form is the interplay of colours which make his works dazzle and sometimes bring them into a certain proximity with colour-happy Pop Art. In addition to his internationally renowned sculptural work, Chamberlain occupied himself intensively with photography, a theme extensively addressed in this book. Sculpture and photography interact directly with each other. Unlike the sculptures, which are positioned in their materiality, Chamberlain’s photographs are marked by great blurring and fleetingness. At the same time, they absorb the element of movement in space. Chamberlain himself put it in terms of ‘bending space’. One may think of them, even more readily than of his sculptures, as the spontaneous gestural structures of Abstract Expressionist paintings.
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Zustand: New. An extensive set of sculptures and original photos by John Chamberlain show his lifelong exploration and experimentation around coloured car body parts and the illusion of movement in space.KlappentextThe crumpled sculptures of Am. Artikel-Nr. 251676875
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Taschenbuch. Zustand: Sehr gut. Gebraucht - Sehr gut SG - leichte Beschädigungen oder Verschmutzungen, ungelesenes Mängelexemplar, gestempelt - An extensive set of sculptures and original photos by John Chamberlain show his lifelong exploration and experimentation around coloured car body parts and the illusion of movement in space. Artikel-Nr. INF1000529212
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Taschenbuch. Zustand: Neu. Neuware - The crumpled sculptures of American artist John Chamberlain (1927-2011) revolutionized the art world in the 1950s. Less well known, but a key element in his work, is Chamberlain's photography. In 1977, Chamberlain began to use a Widelux camera, which had been originally developed for documenting landscape with panoramic images. He experimented with its capabilities by panning the camera across space and using jerky movements, set to long exposure. Artikel-Nr. 9788836641307
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