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In this title, Krishen Khanna's work is placed in its biographical, historical and social context through the examination of several of his paintings among which are Flagellation and combines Krishen Khanna's monograph with the discussion of the socio-political context which motivated a generation of Indian artists.
Norbert Lynton, professor emeritus at the University of Sussex and former director of exhibitions for the Arts Council of Great Britain, has written widely on twentieth-century art. He is the author of The Story of Modern Art and co-author of The Yale Dictionary of Art and Artists. Gayatri Sinha is an independent curator and art critic based in New Delhi. She is the author of Krishen Khanna: A Critical Biography, The Art of Adimoolam and Krishen Khanna: The Embrace of Love. Ranjit Hoskote is a cultural theorist, independent curator and poet. He is the author of ten books. Theses include four studies of art and artists, of which the most recent is Baiju parthan: A User's Manual (2006). Marilyn Rushton is a barrister-at-law and an academic with a strong intesrest in contemporary Indian Art. Tanuj Berry is a friend of Krishen Khanna's and a collector of modern and contemporary Indian Art. He has been involved with a number of significant projects and publications on many important Indian artists.
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