Accompanied by some of his lesser-known photographs, this distilled dialogue is drawn directly from the recordings of a roving conversation with David Goldblatt three months before his death in June 2018. Goldblatt was born in Randfontein―a mining town on the Witwatersrand gold reef―in 1930, the grandson of Lithuanian-Jewish migrants who settled in South Africa after escaping persecution in Europe. After the death of his father in 1962, Goldblatt sold the family clothing business to become a full-time photographer. Describing himself as “a self-appointed observer and critic of the society into which I was born,” he photographed the people, landscapes and structures of South Africa under apartheid and its persistent aftermath.
In this candid conversation with writer Alexandra Dodd, Goldblatt shares his views about land and landscape, the dangerous lure of repetition in portrait photography, Johannesburg, the solipsism of life as a photographer, staying sharp, his visceral intolerance of censorship, his abiding interest in structures and his observation of instances of dominion under democracy, among other key themes.
In March, I flew up to Johannesburg to interview Goldblatt. When he opened the gate, I could see the effects on his body of his fight with illness. He was smaller, more hewn than ever. As we entered the sanctum of his office, he stopped in the doorway, flinched, and said something along the lines of: ‘Forgive me if I’m not at my best with this catheter up my cock.’ With that, our conversation began... Alexandra Dod
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David Goldblatt (1930–2018) was a South African photographer renowned for documenting his homeland during and after apartheid. He created landmark visual essays that explored diverse subjects united by his primary concern: the values with which South Africans shaped their world and their expression in its landscapes. Widely exhibited and collected by museums including the Museum of Modern Art in New York and the Centre Pompidou in Paris, Goldblatt published over 20 books and won the HCB and Hasselblad Awards. Goldblatt’s books with Steidl include On the Mines (2012), The Transported of KwaNdebele (2013) and Structures of Dominion and Democracy (2018).
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hardcover. Zustand: Nuovo (New). Prima edizione (First Edition). Intervista a cura di Alexandra Dodd. Volume a cura di Brenda Goldblatt. 45 immagini a colori e in bianco e nero . 8vo (23x17 cm). pp. 144. . Nuovo (New). . Prima edizione (First Edition). . Accompagnato da alcune delle sue fotografie meno note, questo dialogo è tratto direttamente dalle registrazioni di una conversazione itinerante con David Goldblatt tre mesi prima della sua morte nel giugno 2018. Goldblatt è nato a Randfontein, una città mineraria sulla barriera d'oro del Witwatersrand, nel 1930, nipote di immigrati ebrei lituani che si erano stabiliti in Sudafrica dopo essere sfuggiti alle persecuzioni in Europa. Dopo la morte di suo padre nel 1962, Goldblatt vendette l'azienda di abbigliamento di famiglia per diventare un fotografo a tempo pieno. Descrivendosi come "un osservatore e un critico autoproclamato della società in cui sono nato", ha fotografato le persone, i paesaggi e le strutture del Sudafrica sotto l'apartheid e le sue persistenti conseguenze.In questa candida conversazione con la scrittrice Alexandra Dodd, Goldblatt condivide le sue opinioni sulla terra e il paesaggio, il pericoloso richiamo della ripetizione nella fotografia di ritratto, Johannesburg, il solipsismo della vita da fotografo, il rimanere lucido, la sua viscerale intolleranza alla censura, il suo costante interesse per le strutture e la sua osservazione dei casi di dominio sotto la democrazia, tra gli altri temi chiave. Book. Artikel-Nr. bc_227012
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