Book by Stroun Fabrice Mosset Olivier Bracewell Michael
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This first monograph for a promising Swiss artist arrives during the year of his first New York and London solo shows. Carron's sculptures have been said to mark a renewal of appropriationist discourse. Neither authentic nor kitsch, readymade nor craft, these objects enjoy ambiguity (fake wood, bronze and concrete) and an iconography of power and authority (in traditional forms like public sculptures and commemorative monuments). Along with a group of new Swiss artists speeding through the early stages of critical recognition, including Andro Wekua, Vidya Gastaldon and Mai-Thu Perret, Carron's rise marks the emergence of a new Swiss scene.
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EUR 14,50
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Anbieter: Antiquariat UEBUE, Zürich, Schweiz
Hardcover. Zustand: Sehr gut. 1. Auflage. 20,5 x 28,6 cm (hardcover) 64 pages (40 colour ill.) - First monograph Valentin Carron s sculptures mark a renewal of appropriationist discourse: through the re-employment of vernacular forms that are not part of the dominant culture, the artist develops a project confusing genres. Neither authentic nor kitsch, not readymade nor really craft, these objects play with ambiguity (fake wood, fake concrete, fake bronze, etc.) and with an iconography of power and authority (public sculptures or commemorative monuments, traditional forms, etc.). Alongside several artists such as Andro Wekua, Mai-Thu Perret, and Vidya Gastaldon, Valentin Carron (*1975) marks the emergence of a new artistic scene in Switzerland. Published with the Centre d art contemporain, Geneva, and Kunsthalle Zurich. Artikel-Nr. ABE-1636454399232
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