Gordon Parks returned to his hometown in southeastern Kansas in the spring of 1950 to make the series of photographs that would accompany an article for Life magazine meant to center on the issue of segregated schools and their impact on black children in the years prior to the Brown v. Board of Education of Topeka decision (1952–54). Fort Scott was the town that Parks had left more than twenty years earlier, and he used this assignment to revisit early memories of his birthplace, many involving serious racial discrimination, and to reconnect with his eleven members of his junior high school graduation class and discover what had become of them since his departure. When Parks arrived in 1950, only one member of the class remained in Fort Scott, while the rest had followed the well-worn paths of the Great Migration in search of better lives in urban centers, such as St. Louis, Kansas City, Columbus, OH, and Chicago. Heading out to those cities, Parks found his friends and their families and photographed them on their porches, in their parlors and dining rooms, on their way to church, and working at their jobs, and sat down to interview them about their decision to leave the segregated system of their youth and head north. His resulting photo essay and planned cover were finally slated to appear in Life in the spring of 1951, but were bumped from the magazine by Truman’s firing of General MacArthur and in the end never published.
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Gordon Parks was born into poverty and segregation in Fort Scott, Kansas, in 1912. An itinerant laborer, he worked as a brothel pianist and railcar porter, among other jobs, before buying a camera at a pawnshop, training himself, and becoming a photographer. In addition to his storied tenures at the Farm Security Administration, the Office of War Information (1941–1945) and Life (1948–1972), Parks was a modern-day Renaissance man who found success as a film director, author and composer. The first African-American director to helm a major motion picture, he popularized the Blaxploitation genre through his film “Shaft” (1971). He wrote numerous memoirs, novels and books of poetry and received many awards, including the National Medal of Arts and more than fifty honorary degrees. In 1997 the Corcoran Gallery of Art in Washington, D.C., mounted his retrospective exhibition “Half Past Autumn: The Art of Gordon Parks.” Parks died in 2006. Co-published with the Museum of Fine Arts Boston and The Gordon Parks Foundation Exhibition: Museum of Fine Arts Boston, January 17 to September 13, 2015
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Anbieter: Riverby Books (DC Inventory), Fredericksburg, VA, USA
hardcover. Zustand: Very Good. Oversized hardcover with dust jacket. B&W pictorial DJ is crisp and glossy. Book is bound in maroon cloth over boards with gray lettering on the spine. Corners are square. Binding is tight and secure. Pages have a very slight tone, but are otherwise crisp, clean, and bright. Images are printed in B&W. 143 pages. Steidl. No publication date on title page. Copyright page is dated 2015. A very good copy. This is an oversized book, so extra shipping will be necessary for priority or international shipping. We ship everyday from a real neighborhood bookstore. This description is written by an actual person, who is holding the book in front of them to make sure it?s properly described. Please contact us with questions or if you would like to see photographs. Artikel-Nr. F-13544
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Anbieter: Arches Bookhouse, Portland, OR, USA
Hardcover with Dust Jacket. Zustand: FINE. Zustand des Schutzumschlags: FINE. First Edition. 143pp. B/W photobook. FINE in FINE dust jacket. 'Gordon Parks: Back to Fort Scott focuses on a little-known photo essay about school segregation undertaken by Gordon Parks in 1950 for Life. Because it never appeared in the pages of the magazine, few are aware of this landmark story, which brought Parks back to his hometown of Fort Scott, Kansas, more than twenty years after he left as a teenager and moved north to Minnesota following the death of his mother. The issue of segregated education was regularly in the news during the years leading up to the Supreme Court's Brown v. Board of Education decision (1954), and the state of Kansas was at the center of that debate. 'Back to Fort Scott' was one of the earliest civil rights assignments given to Parks after he became Life's first African A marican staff photographer, and it inspired him to revisit his own childhood and search hic classmates from the all-black Plaza School. Taking these striking portraits of his friends and their families as they recounted their life stories to him also motivated Parks to explore his own youthful memories of poverty and discrimination in his semiautobiographical novel and film The Learning Tree.' - From the DJ flap. Artikel-Nr. 504500
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