Otto Steinert's view of Paris didn't concern itself much with the people and their bustling businesses; in the city he saw structures, rhythms and the subtle play of light and shadows. Building facades lining the avenues tell the story of the Paris of that time, but the blurred people and vehicles moving against this backdrop look strange and fleetingly intangible. A series of multiple exposures and luminograms (object-less "light sketches"), which were created at the Place de la Concorde and elsewhere, show how Steinert's interests ultimately concentrated on alienation and abstraction.
This volume contains numerous previously unpublished photographs taken by Otto Steinert in Paris between 1948 and 1956. The collection impressively reveals the development of a genuine visual language: The most important protagonist of "subjective photography" intensely sought out shapes that went beyond illustrating reality.
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Otto Steinert's view of Paris didn't concern itself much with the people and their bustling businesses; in the city he saw structures, rhythms and the subtle play of light and shadows. Building facades lining the avenues tell the story of the Paris of that time, but the blurred people and vehicles moving against this backdrop look strange and fleetingly intangible. A series of multiple exposures and luminograms (object-less "light sketches"), which were created at the Place de la Concorde and elsewhere, show how Steinert's interests ultimately concentrated on alienation and abstraction.
This volume contains numerous previously unpublished photographs taken by Otto Steinert in Paris between 1948 and 1956. The collection impressively reveals the development of a genuine visual language: The most important protagonist of "subjective photography" intensely sought out shapes that went beyond illustrating reality.
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Versandziele, Kosten & DauerAnbieter: Antiquariat J. Hünteler, Hamburg, Deutschland
4°, Pappband mit Umschlag-O. Zustand: Gut. 103 S., Mit zahlreichen s/w Fotos, kleiner dezenter floraler Abdruck auf Vorsatz, sehr sauberes Exemplar. 113436_Foto Sprache: Englisch Gewicht in Gramm: 774. Artikel-Nr. 42166
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Anbieter: Acadia Art & Rare Books. Est. 1931, Toronto, ON, Kanada
Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. Hardcover with complete DJ. Copiously illustrated in b/w, with over 50 tritone images. Clean and unmarked. 4to. Artikel-Nr. 032545
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Anbieter: Studio Bibliografico Marini, ROMA, RM, Italien
hardcover. Zustand: Perfetto (Mint). Prima edizione (First Edition). Catalogo della mostra tenutasi presso il Museum Folkwang, Essen 26 aprile - 6 luglio 2008. Un testo di Florian Ebner. Fotografie in bianco e nero di Otto Steinert . 8vo (cm 27x23,5). pp. 104. . Perfetto (Mint). . Prima edizione (First Edition). . German photographer Otto Steinert did not see the people of Paris, he saw its structures, rhythms and its subtle plays of light and shadow. The building facades lining Steinert's avenues tell the story of Paris during that era, but his blurred figures and vehicles, moving against such stationery backdrops, look strange and fleetingly intangible. In this volume, a series of multiple exposures and luminograms, which were created at landmarks like the Place de la Concorde, reveal Steinert's prescience and his embrace--as the founder of the postwar Fotoform movement--of the tenets of Bauhaus photography. This important volume features numerous previously unpublished photographs taken by Steinert in Paris between 1948 and 1956. Containing an essays by photographer and writer Florian Ebner, it reveals key developments in Steinert's unique and influential language.Il fotografo tedesco Otto Steinert non vedeva la gente di Parigi, vedeva le sue strutture, i suoi ritmi e i suoi sottili giochi di luce e ombra. Le facciate degli edifici che costeggiano i viali raccontano la storia di Parigi in quell'epoca, ma le sue figure sfocate e i suoi veicoli, che si muovono su sfondi così fermi, appaiono strani e fugacemente intangibili. In questo volume, una serie di esposizioni multiple e luminogrammi, che sono stati creati in punti di riferimento come Place de la Concorde, rivelano la preveggenza di Steinert e il suo abbraccio - come fondatore del movimento Fotoform del dopoguerra - dei principi della fotografia Bauhaus. Questo importante volume presenta numerose fotografie inedite scattate da Steinert a Parigi tra il 1948 e il 1956. Book. Artikel-Nr. bc_226296
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Anbieter: Argosy Book Store, ABAA, ILAB, New York, NY, USA
hardcover. Zustand: fine. Zustand des Schutzumschlags: fine. STEINERT, Otto (illustrator). First. Black & white photographic illustrations throughout. 103 pages. 4to, gray cloth with gilt lettering at the spine, pictorial d.w. Gottingen: Steidl/Museum Folkwang, (2008). First edition. A fine copy in a fine dust wrapper. Artikel-Nr. 324888
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