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Inhaltsangabe
The role of temporality in the impact and interpretation of art has been long neglected. This book will redress this balance by insisting that our sense of temporality and the rhetoric of eternity can not only can be used to decode the world of the visual image, of art and architecture, but also to explain our position relative to the art work, as to what we see before us. As such this book consists of a sequence of readings of images and buildings, of framed art and frame of our lived experience, the built environment.Beginning with representative works from the epoch of medieval and renaissance art, a key period in the history of Western art in terms of temporal rhetoric in narrative and priority, the analysis will progress to the seventeenth century onward, when such potentials were to become hidden, but still effective, and will a chapter on photography. The last two chapters will focus upon architecture and our experience of the city, from an analysis of the Pantheon in Rome to the skyscrapers of New York - and beyond. This work is for those interested in art, architecture and the analysis of visual culture.
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Reseña del editor
The role of temporality in the impact and interpretation of art has been long neglected. This book will redress this balance by insisting that our sense of temporality and the rhetoric of eternity can not only can be used to decode the world of the visual image, of art and architecture, but also to explain our position relative to the art work, as to what we see before us. As such this book consists of a sequence of readings of images and buildings, of framed art and frame of our lived experience, the built environment.Beginning with representative works from the epoch of medieval and renaissance art, a key period in the history of Western art in terms of temporal rhetoric in narrative and priority, the analysis will progress to the seventeenth century onward, when such potentials were to become hidden, but still effective, and will a chapter on photography. The last two chapters will focus upon architecture and our experience of the city, from an analysis of the Pantheon in Rome to the skyscrapers of New York - and beyond. This work is for those interested in art, architecture and the analysis of visual culture.
Biografía del autor
Peter Nesteruk has a PhD in Critical Theory. His publications include literary and art history, Emily Dickinson, drama theory, and time and visual culture (inc.texts for exhibitions in London, Rome and Beijing). Works in progress include: comparative art history, black and white photography and an anthropology of architecture in Beijing.
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A Rhetoric of Time in the Arts
Verlag:
LAP LAMBERT Academic Publishing Mai 2011, 2011
ISBN 10: 3844321217
ISBN 13: 9783844321210
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Taschenbuch. Zustand: Neu. Neuware -The role of temporality in the impact and interpretation of art has been long neglected. This book will redress this balance by insisting that our sense of temporality and the rhetoric of eternity can not only can be used to decode the world of the visual image, of art and architecture, but also to explain our position relative to the art work, as to what we see before us. As such this book consists of a sequence of readings of images and buildings, of framed art and frame of our lived experience, the built environment.Beginning with representative works from the epoch of medieval and renaissance art, a key period in the history of Western art in terms of temporal rhetoric in narrative and priority, the analysis will progress to the seventeenth century onward, when such potentials were to become hidden, but still effective, and will a chapter on photography. The last two chapters will focus upon architecture and our experience of the city, from an analysis of the Pantheon in Rome to the skyscrapers of New York - and beyond. This work is for those interested in art, architecture and the analysis of visual culture.Books on Demand GmbH, Überseering 33, 22297 Hamburg 304 pp. Englisch. Artikel-Nr. 9783844321210
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