When Germany invaded Norway on 9 April 1940, the long-lasting bilateral relations changed fundamentally. Immediately, the administration of the ‘Reichskommissariat Norwegen’ (responsible for culture and therein music together with the Norwegian puppet regime’s department for culture) implemented the adaption to the new, official National Socialist guidelines.
The diversity of music in Norway during the occupation is presented in this book by Norwegian and German authors, confronting research on collaboration, persecution, and resistance for the first time as an international endeavour. The different essays illustrate not only examples of exile and persecution and ask for the consequences of Nazi politics on prominent and forgotten fates, but depict how Norwegian artists and their organisations positioned themselves towards collaboration or resistance during and after the war, as well as contrasting it with the impressions of German musicians, both military and civilian, playing in Norway during the occupation.
Including Norway into the international discourse on ‘Music and Nazism’, the articles address readers both interested in the German occupation of Norway, and the implications the German administration and its Norwegian counterparts had on the music life.
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Ina Rupprecht is research associate in the project ‘Nordic Music Politics – The German Dominance of Music in Norway 1930–1945’, led by Michael Custodis at the Department of Musicology, University of Münster.
Sjur Haga Bringeland is PhD research fellow at the Department of Linguistic, Literary and Aesthetic Studies (LLE) and the Grieg Research Centre at the University of Bergen.
Prof. Dr. Michael Custodis ist Professor für Musik der Gegenwart und Systematische Musikwissenschaft an der Westfälischen Wilhelms-Universität Münster. Neben der Auseinandersetzung mit NS-Kontinuitäten im deutschen Nachkriegsmusikleben arbeitet er u.a. über musiksoziologische Themen, Musik des 20. und 21. Jahrhunderts sowie Wechselwirkungen zwischen „populärer“ und „klassischer“ Musik.
Arnulf Christian Mattes is Associated Professor of Musicology and leader of the Grieg Research Centre at the University of Bergen. He is project partner in the Research cooperation “Nordic Music” – Resistance, Persecution, Collaboration, and Reintegration in Norway’s Music Life 1930–1960.
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paperback. Zustand: Very Good. Persecution, Collaboration, Resistance This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. . Artikel-Nr. 7719-9783830941309
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Zustand: New. When Germany invaded Norway on 9 April 1940, the long lasting bilateral relations changed fundamentally. The diversity of Norway during the occupation is presented in this book, confronting research on collaboration, persecution, and resistance for the firs. Artikel-Nr. 401829046
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Taschenbuch. Zustand: Neu. Persecution, Collaboration, Resistance | Music in the Reichskommissariat Norwegen (1940-45), Münsteraner Schriften zur zeitgenössischen Musik 5 | Ina Rupprecht | Taschenbuch | 184 S. | Englisch | 2020 | Waxmann Verlag | EAN 9783830941309 | Verantwortliche Person für die EU: Waxmann Verlag GmbH, Steinfurter Str. 555, 48159 Münster, info[at]waxmann[dot]com | Anbieter: preigu. Artikel-Nr. 118968002
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