The Shape of Freedom: International Abstraction after 1945 (Museum Barberini) - Hardcover

 
9783791379487: The Shape of Freedom: International Abstraction after 1945 (Museum Barberini)

Inhaltsangabe

This book gives new insights into the flowering of radical abstraction after 1945, focussing on the creative interplay between painters in the wider orbit of Abstract Expressionism and Art Informel.

Following World War II, Western painting went in completely new directions. A young generation of artists turned their backs on the dominant styles of the interwar period: Instead of figurative representation or geometric abstraction, painters in the orbit of Abstract Expressionism in the US and Art Informel in Western Europe pursued a radically impulsive approach to form, color, and material. As an expression of individual freedom, the spontaneous artistic gesture gained symbolic significance. Large-scale color-field compositions created a meditative space for ruminating the fundamental questions of human existence. The exhibition and catalogue examine the two sister movements against the background of a vibrant transatlantic exchange, from the 1940s through to the end of the Cold War. The lavishly illustrated volume brings together works by more than 60 artists, amongst them Sam Francis, Helen Frankenthaler, K. O. Götz, Franz Kline, Lee Krasner, Georges Mathieu, Joan Mitchell, Ernst-Wilhelm Nay, Barnett Newman, Jackson Pollock, Judit Reigl, Mark Rothko, and Clyfford Still.

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Über die Autorinnen und Autoren

Ortrud Westheider is director of the Museum Barberini in Potsdam, Germany.

Michael Philipp is chief curator of the Museum Barberini in Potsdam, Germany.

Daniel Zamani is curator at the Museum Barberini in Potsdam, Germany.

Michael Philipp ist Chefkurator am Museum Barberini in Potsdam.

Daniel Zamani ist Künstlerischer Direktor am Museum Frieder Burda in Baden-Baden.

Von der hinteren Coverseite

Following World War II, Western painting went in completely new directions. A young generation of artists turned their backs on the dominant styles of the interwar period: Instead of figurative representation or geometric abstraction, painters in the orbit of Abstract Expressionism in the US and Art Informel in Western Europe pursued a radically impulsive approach to form, color, and material. As an expression of individual freedom, the spontaneous artistic gesture gained symbolic significance. Large-scale color-field compositions created a meditative space for ruminating the fundamental questions of human existence. The exhibition and catalogue examine the two sister movements against the background of a vibrant transatlantic exchange, from the 1940s through to the end of the Cold War. The lavishly illustrated volume brings together works by more than 50 artists, amongst them Alberto Burri, Jean Dubuffet, Helen Frankenthaler, K.O.Götz, Franz Kline, Lee Krasner, Georges Mathieu, Joan Mitchell, Ernst Wilhelm Nay, Barnett Newman, Jackson Pollock, Judit Reigl, Mark Rothko, Hedda Sterne, Clyfford Still, and Jack Tworkov.

Exhibition Itinerary:
Museum Barberini, Potsdam, Germany
June 4–September 25, 2022
Albertina Modern, Vienna, Austria
October 16, 2022–February 12, 2023

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