| Die hohe Kunst vom Sockel genommen! Pionierleistung dreier Advokaten der konkret skulpturalen Figuration Als in den frühen 1980er-Jahren minimalistische und konzeptionelle Ansätze der Kunst dominierten, erregten die konsequent figürlichen und entschieden skulpturalen Darstellungen alltäglicher Sujets von Katharina Fritsch (* 1960), Jeff Koons (* 1955) und Charles Ray (* 1953) große Aufmerksamkeit. Bis heute prägen ihre markanten Positionen das kulturelle Bildgedächtnis. Sculpture After Sculpture: Fritsch, Koons, Ray zeichnet die parallelen Entwicklungen im Schaffen der drei Bildhauer nach. Beginnend mit Schlüsselwerken aus den späten 1980er- und frühen 1990er-Jahren, die ihr gemeinsames Interesse für die Welt des Konsums und das Readymade veranschaulichen, folgt die Publikation ihrer künstlerischen Praxis bis in die Gegenwart. Im direkten Vergleich werden die überraschenden Gemeinsamkeiten sowie markanten Unterschiede der OEuvre ebenso deutlich wie die zwingenden Beweggründe der Künstler für eine dezidiert zeitgenössische Bildhauerkunst. Ausstellung: Moderna Museet, Stockholm 11.10.2014 bis 18.1.2015
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When, in the late seventies, minimalist and conceptual approaches were dominant in art, the consistently figural and emphatically sculptural representations of everyday subjects by Katharina Fritsch (* 1960), Jeff Koons (* 1955) und Charles Ray (* 1953) attracted a great deal of attention. Their striking stances continue to have an influence on cultural visual memory. Sculpture After Sculpture: Fritsch, Koons, Ray traces the parallel developments in the creative work of the three sculptors. Beginning with key works from the late eighties and early nineties that throw light on their shared interest in the consumer world and the ready-made, the publication delineates their artistic practice up to the present day. A direct comparison highlights the surprising similarities and marked differences in their oeuvres, and reveals the artists compelling reasons for a decidedly contemporary art of sculpture.
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Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
Zustand des Schutzumschlags: dj. First Edition. First edition and first printing. Hardcover. 138 pages. Monograph on the sculpture of Katharina Fritsch, Jeff Koons, and Charles Ray. Features text contributions by Jack Bankowsky, Nicholas Cullinan, Thomas Crow, and others. Includes numerous color illustrations along with biographical information for each artist. A clean very near fine copy in cloth boards in a very near fine dust jacket. A very nice copy. Artikel-Nr. 208172
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Anbieter: Powell's Bookstores Chicago, ABAA, Chicago, IL, USA
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Minor shelf wear. Else a bright, clean copy. In October 2014 the Moderna Museet will premiere Sculpture after Sculpture a major exhibition that brings together the work of three of today?s most esteemed artists, Katharina Fritsch, Jeff Koons, and Charles Ray. The exhibition at the Moderna Museet is the first in which these ground breaking artists can be seen together in appreciable depth.0A focused examination of thirteen large-scale masterworks presented in a series of telling juxtapositions, Sculpture after Sculpture traces the parallel developments of Katharina Fritsch (b. 1956), Jeff Koons (b. 1955), and Charles Ray (b. 1953). Beginning with iconic works from the late ?80s and early ?90s, which highlight the artists? shared relationship to the commodity and the readymade, the exhibition follows the development of their practices up to the present. Highlights of the exhibition include Jeff Koons?s celebrated Michael Jackson and Bubbles, 1988, a porcelain and gilt confection depicting the late Pop legend Michael Jackson with his pet chimpanzee for which the sculpture is named; Charles Ray?s two-ton aluminium Tractor, 2005; and Katharina Fritsch?s acid yellow apparition Madonnenfigur (Madonna Figure), 1987. 0Exhibition: Moderna Museet, Stockholm, Sweden (11.10.2014 -18.1.2015). Artikel-Nr. 2039717
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Anbieter: Capitol Hill Books, ABAA, Washington, DC, USA
Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Ostfildern [Berlin]: Hatje Cantz Verlag, 2014. First Edition. Presentation note on Artforum card stationery from editor Jack Bankowsky to recipient Brenda Richardson is laid in: "12/11/14. Dear Brenda, I wanted you to have the catalogue for my most recent effort 'Sculpture After Sculpture.' Happy Holidays! All my Best, Jack." Quarto (28.5x23x1.5cm); 140pp. Eighty-three illustrations of pieces in the exhibit and background or documentary photographs. White dustjacket over ivory linen boards blind-stamped on spine and front panel. Jacket is clean and crisp a light bump at head of spine. Boards are sturdy, clean, and square, with a bump at head and nudging at spine tail. Binding is sound and pages unmarked. Jack Bankowsky, essayist and editor of this volume, was Editor-in-Chief of Artforum from 1992 to 2003, and, at the time of this exhibit, was Artforum's Editor-at-Large. Bankowsky has been prominent on the international art scene, at, for example, GEISAI, the Venice Biennale, the Tate, and other prestigious venues, for years-as judge, curator, and arts journalist; he is also the founding editor of Bookforum. Brenda Richardson is an art historian, museum professional, and leading advocate for insider art, outsider art, and allsider art. She served as chief curator and formidable deputy director at the Baltimore Museum of Art for almost 25 years; the volume comes directly from her library. This is the catalog for the exhibit of the same name at the Moderna Museet in Stockholm which ran from 11 October 2014 to 18 January 2015. Artikel-Nr. 10743
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Anbieter: nika-books, Nordwestuckermark-Fürstenwerder, NWUM, Deutschland
gebundene Ausgabe, Leinen. 138 S. : zahlr. Ill. ; 29 cm, Das Buch ist in einem sehr guten Zustand. 9783775738859 Sprache: Englisch Gewicht in Gramm: 1080. Artikel-Nr. 87995
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