Innes’s paintings are rhythmically meditative, the result of a process that involves the repeated removal as well as application of paint. Calm and authoritative, they nevertheless bear the traces of the controlled chaos of their production, of the creative and destructive interaction of paint and turpentine. With authoritative texts and extensive illustrations, this publication brings together the major themes and preoccupations of Innes’s practice over the last fifteen years. Paintings from his earliest Cento series Quotations, Agitated Verticals, Isolated Forms, Repetitions, Formed Paintings, Identified Forms, Monologues, Resonances and Shellac Paintings join a substantial body of Exposed Paintings, from the earliest to the most recent, and explore the development of the artist’s visual language.
Exhibition schedule: The Fruitmarket Gallery, Edinburgh September 30–November 19, 2006· Modern Art Oxford, February 13–April 15, 2007· Museum of Contemporary Art, Sydney, November 27, 2007–February 17, 2008
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Richard Cork is an award-winning art critic, historian, broadcaster and curator. He was Chief Art Critic of the Times 1991–2002, Slade Professor of Fine Art at Cambridge University 1989–90, and Henry Moore Senior Fellow at the Courtauld Institute 1992–5. He has acted as a judge for the Turner Prize and curated major exhibitions at Tate, the Hayward Gallery, the Barbican Art Gallery, the Royal Academy and other European venues. He was appointed an Honorary Fellow of the Royal Academy in 2011.
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