"Working in a pioneering fusion of sculpture and conceptually based performance, Paul McCarthy is one of the most influential figures in contemporary art*however the full range is of his oeuvre is still not fully appreciated or understood. While his architectural installations incorporating video and performance artifacts have received copious critical and curatorial attention during the present decade, few viewers are familiar with the scope of his artistic evolution, or with the impact his works had had on two generations of Los Angeles artists. This catalogue*accompanying McCarthy exhibitions at the Museum of Contemporary Art, Los Angeles, and the New Museum of Contemporary Art in new York*covers more than 100 works from all areas of his activity, and gives an exemplary insight into McCarthy's works form the early 70s up to the present day. Experts on his work give comprehensive descriptions and analyses of the artist's performances and installations, examine the unique ties between his works and the cinematic arts, and explore the ongoing dialogue between the artistic cultures of New York and Los Angeles, particularly in terms of the development of conceptual art."
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Paul McCarthy was born in 1945 in Salt Lake City, Utah and he currently lives and works in Los Angeles. He studied at the San Francisco Art Institute and the University of Southern California. McCarthy's artwork was brought to public attention in the 1970s with his performance pieces and works in film. Since then he has experimented with sculpture, installation and inflatable objects.
Dan Cameron is director of visual arts at the Contemporary Arts Center in New Orleans. From 1995 to 2007 he was senior curator at the New Museum of Contemporary Art in New York. Cameron has organized exhibitions in Spain, Italy, Portugal, Greece, Russia, Austria, Sweden and Mexico. He was artistic director for the 8th Istanbul Biennial (2003) and was one of the curators of the Taipei Biennial in Taiwan (2006). Cameron has written extensively on contemporary art in various publications, including Artforum, Arts Magazine and Parkett and has contributed to numerous museum catalogues.
Anthony Vidler is Dean of the Cooper Union School of Architecture and former professor and chairman of the Department of Art History and Architecture at the University of California, L.A. He is widely known for his essays on issues at the heart of the most pressing debates surrounding architecture today.
If we are to see art as a mirror of society, the work of Paul McCarthy reflects all that is perverted, violent, and deranged in this world. Characterized by crawling around on hands and knees in specially built environments (e.g., Santa's workshop) and dousing his body in ketchup and mayonnaise, his performances repulse, but he remains one of the most talked-about artists today. Published in conjunction with a retrospective exhibition at New York's New Museum of Contemporary Art, this catalog documents over 30 years of McCarthy's art, including performance, installation, video, and photographic work. One of the strengths of this publication is the critical analysis provided by three highly regarded scholars. In comparison, the 1996 monograph from Phaidon Press's "Contemporary Artist" series of the same title offers performance scripts, interviews with the artist, and samples of his own writing. Both publications offer a plethora of color and black-and-white reproductions. Recommended for libraries with good contemporary art collections. Krista Ivy, Bryn Mawr Coll. Lib., PA
Copyright 2001 Reed Business Information, Inc.
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