Saul Kemack draws on the theories of Bernard Stiegler and Kati Röttger to examine live performance as a site for practicing “dis-automation dramaturgy.” Through a detailed phenomenological and intermedial study of Forced Entertainment’s Signal to Noise, the author explores how theatrical framing can expose the logics of digitally saturated life under hyper-industrial capitalism. Rather than claiming we can wholly resist such logics, his research reveals how art creates temporary interruptions – moments of reflection and reoriented sensibility – in the algorithmic flow. Saul Kemack is a writer, researcher, and dramaturg based in South Africa.
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Taschenbuch. Zustand: Neu. Neuware -Saul Kemack draws on the theories of Bernard Stiegler and Kati Röttger to examine live performance as a site for practicing 'dis-automation dramaturgy.' Through a detailed phenomenological and intermedial study of Forced Entertainment's Signal to Noise, the author explores how theatrical framing can expose the logics of digitally saturated life under hyper-industrial capitalism. Rather than claiming we can wholly resist such logics, his research reveals how art creates temporary interruptions - moments of reflection and reoriented sensibility - in the algorithmic flow.Saul Kemack is a writer, researcher, and dramaturg based in South Africa.Tectum Verlag, Waldseestraße 3-5, 76530 Baden-Baden 102 pp. Englisch. Artikel-Nr. 9783689005238
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Taschenbuch. Zustand: Neu. Neuware - Saul Kemack draws on the theories of Bernard Stiegler and Kati Röttger to examine live performance as a site for practicing 'dis-automation dramaturgy.' Through a detailed phenomenological and intermedial study of Forced Entertainment's Signal to Noise, the author explores how theatrical framing can expose the logics of digitally saturated life under hyper-industrial capitalism. Rather than claiming we can wholly resist such logics, his research reveals how art creates temporary interruptions - moments of reflection and reoriented sensibility - in the algorithmic flow. Saul Kemack is a writer, researcher, and dramaturg based in South Africa. Artikel-Nr. 9783689005238
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Taschenbuch. Zustand: Neu. Interrupting the Machine | Theatre as a Site of Dis-Automation in the Age of AI | Saul Kemack | Taschenbuch | 102 S. | Englisch | 2025 | Tectum Verlag | EAN 9783689005238 | Verantwortliche Person für die EU: Nomos Verlagsgesellschaft mbH & Co. KG, Waldseestr. 3-5, 76530 Baden-Baden, nomos[at]nomos[dot]de | Anbieter: preigu. Artikel-Nr. 134404944
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