D. H. Lawrence and the Dialectics of Spatial Form is an innovative work in the field of Lawrence-studies. Six major works of Lawrence- Sons and Lovers, The Rainbow, Women in Love, The Captain’s Doll, Aaron’s Rod, and The Plumed Serpent- are selected in the study of spatial form. This book departs from the existing critical works on Lawrence, insofar as it rereads the so called Lawrentian characteristic defects in a positive way, connecting with the post-modern literary theories. The author takes account of Lawrence’s aesthetics and ideals, his cultural inheritance, and the resisting forces in English canonical writings of his time. Interpretation of Lawrence in a particular line and value judgement are ignored in order to direct the reader’s attention to a participatory reading. The work contains chapters on “Breaking the Prison Wall”, “Circular Repetition”, “Structural Aesthetics”, “Intertextual Collage”, and “Conclusion” besides a “Preface”. All through the chapters Lawrence has been presented in a new perspective unprecedented, rising above the dispute shrouding the critics.
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Gagan Behari Das works as an associate professor in the Dept. English, Madhabdev College under Dibrugarh University, Assam, India. He has published a number of research articles on D. H. Lawrence and spatial form in international journals.
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Taschenbuch. Zustand: Neu. D. H. Lawrence and the Dialectics of Spatial Form | Gagan Behari Das | Taschenbuch | 264 S. | Englisch | 2014 | LAP LAMBERT Academic Publishing | EAN 9783659367601 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu. Artikel-Nr. 105999058
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