The main aim of the work is to present emblematics in Hungary in its European context, and to show the reciprocal influence between that phenomenon and mainstream literature. The description of the theoretical and historical development in Hungary is supplemented by a series of case studies examining the effect of emblematics upon various literary genres. The final chapter analyzes the link between literary emblematics and the visual arts by looking at a specific example. As in most European countries, emblematics in Hungary is part of a complex labyrinth of literary modes of thought and expression. A relative poverty of theoretical writing went hand in hand with a considerable range of emblematic practice. The emblem proved to be a transitional form between the period when signs and motifs were regarded as having specific and fixed meanings and the modern period when we have developed a different and shifting concept of language and meaning. At the same time as emblems began to penetrate the more popular levels of national culture and literature, they also became more specialized. Hungarian emblematics used, for the most part, existing pictorial and textual combinations of pictures and texts. They employed the emblem notably in genres and texts of the genus demonstrativum, which referred to matters which were topical at the time.
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The main aim of the work is to present emblematics in Hungary in its European context, and to show the reciprocal influence between that phenomenon and mainstream literature. The description of the theoretical and historical development in Hungary is supplemented by a series of case studies examining the effect of emblematics upon various literary genres. The final chapter analyzes the link between literary emblematics and the visual arts by looking at a specific example. As in most European countries, emblematics in Hungary is part of a complex labyrinth of literary modes of thought and expression. A relative poverty of theoretical writing went hand in hand with a considerable range of emblematic practice. The emblem proved to be a transitional form between the period when signs and motifs were regarded as having specific and fixed meanings and the modern period when we have developed a different and shifting concept of language and meaning. At the same time as emblems began to penetrate the more popular levels of national culture and literature, they also became more specialized. Hungarian emblematics used, for the most part, existing pictorial and textual combinations of pictures and texts. They employed the emblem notably in genres and texts of the genus demonstrativum, which referred to matters which were topical at the time.
This monograph attempts to give a comprehensive picture of one of the most popular didactic and symbolic forms of literary expression in the Renaissance and Baroque Hungary. It looks at the effect of emblematics upon literary theory, upon different genres such as epigrams, dramas, sermons, biographies of saints, and upon the fine arts. The authors elaborate a typology of emblem books and emblematic prints, examine the role of education in the transmission of the form, and investigate the English reception of a late humanist emblem book by an Hungarian author. They consider both the content and appearance of that material as well as the changing structures and functions, and historical and international influences.
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Hardcover. 23,5 x 16 cm. Original cloth in the original yellow dust jacket, this is slightly rubbed. VII, 322 pages. Title page with the signature of the German literary and media historian and editor Jörg Jochen Berns in black ink, dated 2003. The title page has faint creases on the inside edge. Otherwise an apparently unused, good condition. --- Originaler Leinenband im originalen gelben Schutzumschlag, dieser ist geringfügig berieben. VII, 322 Seiten. Titelblatt mit der Signatur des deutschen Literatur- und Medienhistorikers und Herausgebers Jörg Jochen Berns in schwarzer Tinte, datiert 2003. Die Titelei ist am Innenrand schwach knickspurig. Ansonsten scheinbar unbenutztes, gutes Exemplar. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Wir kaufen Ihre werthaltigen Bücher! Unga. Artikel-Nr. 428187
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Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The main aim of the work is to present emblematics in Hungary in its European context, and to show the reciprocal influence between that phenomenon and mainstream literature. The description of the theoretical and historical development in Hungary is supplemented by a series of case studies examining the effect of emblematics upon various literary genres. The final chapter analyzes the link between literary emblematics and the visual arts by looking at a specific example. As in most European countries, emblematics in Hungary is part of a complex labyrinth of literary modes of thought and expression. A relative poverty of theoretical writing went hand in hand with a considerable range of emblematic practice. The emblem proved to be a transitional form between the period when signs and motifs were regarded as having specific and fixed meanings and the modern period when we have developed a different and shifting concept of language and meaning. At the same time as emblems began to penetrate the more popular levels of national culture and literature, they also became more specialized. Hungarian emblematics used, for the most part, existing pictorial and textual combinations of pictures and texts. They employed the emblem notably in genres and texts of the genus demonstrativum, which referred to matters which were topical at the time. Artikel-Nr. 9783484365865
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Hardcover. Zustand: Brand New. reprint edition. 322 pages. 9.29x6.38x1.02 inches. In Stock. Artikel-Nr. x-3484365862
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