During the 1884 inauguration of the Royal Hungarian Opera House in Budapest, political elites staged a gala concert in the auditorium while the angry crowd, excluded from this ceremony, demonstrated on the street. In 1917, the crowds queuing to a Béla Bartók premiere needed to be forcibly held back. The book follows the history of the contested institution through a series of scandals, public protests, repertoire controversies and their representation in the urban press of the time. Such conflicts often led to larger issues that concerned the Opera House as a music institution, the birth of the modern public sphere and the modern audience. Thereby, the book calls for a critical rethinking of the cultural history of Budapest and Hungary in the late Habsburg Monarchy.
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Markian Prokopovych ist Kultur- und Stadthistoriker an der Universität Wien. Zu seinen früheren Publikationen zählt u.a. Habsburg Lemberg: Architecture, Public Space and Politics in the Galician Capital, 1772-1914, Purdue University Press 2009. Markian Prokopovych is a cultural and urban historian at the University of Vienna. His earlier publications, among others, include Habsburg Lemberg: Architecture, Public Space and Politics in the Galician Capital, 1772-1914, Purdue University Press 2009.
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weicher Einband. 350 S., 45 s/w-Abb., Lit.verz. Br. *neuwertig*. During the 1884 inauguration of the Royal Hungarian Opera House in Budapest, political elites staged a gala concert in the auditorium while the angry crowd, excluded from this ceremony, demonstrated on the street. In 1917, the crowds queuing to a Béla Bartók premiere needed to be forcibly held back. The book follows the history of the contested institution through a series of scandals, public protests, repertoire controversies and their representation in the urban press of the time. Such conflicts often led to larger issues that concerned the Opera House as a music institution, the birth of the modern public sphere and the modern audience. Thereby, the book calls for a critical rethinking of the cultural history of Budapest and Hungary in the late Habsburg Monarchy. Sprache: Englisch. Artikel-Nr. 227462
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Kartoniert / Broschiert. Zustand: New. Musikkultur europaeischer Metropolen Band 12During the 1884 inauguration of the Royal Hungarian Opera House in Budapest, political elites staged a gala concert in the auditorium while the angry crowd, excluded from this ceremony, demonstrated on the stre. Artikel-Nr. 4486982
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Taschenbuch. Zustand: Neu. Neuware - During the 1884 inauguration of the Royal Hungarian Opera House in Budapest, political elites staged a gala concert in the auditorium while the angry crowd, excluded from this ceremony, demonstrated on the street. In 1917, the crowds queuing to a Béla Bartók premiere needed to be forcibly held back. The book follows the history of the contested institution through a series of scandals, public protests, repertoire controversies and their representation in the urban press of the time. Such conflicts often led to larger issues that concerned the Opera House as a music institution, the birth of the modern public sphere and the modern audience. Thereby, the book calls for a critical rethinking of the cultural history of Budapest and Hungary in the late Habsburg Monarchy. Artikel-Nr. 9783205779414
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Taschenbuch. Zustand: Neu. In the Public Eye | The Budapest Opera House, the Audience and the Press, 1884-1918, Musikkultur europäischer Metropolen 12 | Markian Prokopovych | Taschenbuch | 350 S. | Deutsch | 2014 | Böhlau-Verlag | EAN 9783205779414 | Verantwortliche Person für die EU: Böhlau-Verlag GmbH u Cie., Lindenstr. 14, 50674 Köln, ute[dot]schnueckel[at]brill[dot]com | Anbieter: preigu. Artikel-Nr. 105315887
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Softcover. Zustand: gut. 2014. In the Public Eye : The Budapest Opera House, the Audience and the Press, 1884-1918 In deutscher Sprache. pages. Artikel-Nr. BN85196
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