Taking their cue from the polymorphous relationship between word and image, the essays of this book explore how different media translate the world of phenomena into aesthetic, intellectual or sensual experience. They embrace the media of poetry, fiction, drama, engraving, painting, photography, film and advertising posters ranging from the early modern to the postmodern periods. At the heart of the volume lie essays on works that characteristically perform intriguing interactions between the verbal and visual modes. They discuss the manifold ways in which artists as different as William Blake or Gertrude Stein, Diane Arbus or Stanley Kubrick heighten the tension between the linguistic and the seen. Taken both individually and collectively, this volume’s contributions illuminate the problematics of how readers and spectators/lookers transform verbal and visual representation into worlds of seeming.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
The Editors: Beverly Maeder, Jürg Schwyter, Ilona Sigrist and Boris Vejdovsky all teach and do research at the English Department of the University of Lausanne. Beverly Maeder, Ilona Sigrist and Boris Vejdovsky investigate various areas of North American literature and culture, while Jürg Schwyter works in English linguistics, with a special interest in historical linguistics.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: Borkert, Schwarz und Zerfaß GbR, Berlin, Deutschland
Originalbroschur. Zustand: Sehr gut. 373 S. Ein gutes und sauberes Exemplar. - Contents: Ann Fisher-Wirth: Your Photograph Glen Coe -- Robert Rehder: The branches go in different directions. The branches thin out, hesitate -- J. Hillis Miller: Digital Blake -- Roelof Overmeer: Filming/Seeing Eyes Wide Shut: Stanley Kubrick's Last Odyssey -- Neil Forsyth: Shakespeare and the Talkies -- Alison D. Goeller: 'What Comes from Inside': The Politics of Race in Eudora Welty's WPA Photographs -- Cristina Giorcelli: Where is the Woman? Rosanna Warren's 'Bonnard' -- Robert Rehder: The Whiteness of the Whale. The Frontier. Personal Best -- Lawrence Buell: Dangerous Propinquities: Rhetoric and Image versus Sound in Whitmanian Poetics -- Martine Hennard Dutheil: Modelling for Bluebeard: Visual and Narrative Art in Angela Carter's 'The Bloody Chamber' -- Franziska Gygax: The Portrait as Word and (A)Head: Gertrude Stein and the Staging of (Her)Self -- Ilona Sigrist: Seeing and Being Blind through Narrative: The Use of the Visual in Two Historical Fictions by Margaret Atwood -- Robert Rehder: From The Kleist Sonatas -- Hartwig Isernhagen: Emma's Attitudes: Melancholy and/as Representation -- Didier Maillat: The Advertising Snare: Indexicals and Images in Ads -- Agnieszka Soltysik: A Secret about a Secret: The Relation between Caption and Photo in Diane Arbus's Work -- Boris Vejdovsky: Wounded Bodies and Torn Canvas: Images of Life and Death in Hemingway and Picasso -- Christina Ljungberg: Rituals of Remembrance: Photography and Autobiography in Postmodern Texts -- Robert Rehder: Two Photographs by Peter Halter. ISBN 9783039109975 Sprache: Englisch Gewicht in Gramm: 657. Artikel-Nr. 1017887
Anzahl: 1 verfügbar
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Artikel-Nr. CX-9783039109975
Anzahl: 15 verfügbar
Anbieter: PBShop.store US, Wood Dale, IL, USA
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Artikel-Nr. CX-9783039109975
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
Zustand: New. In English. Artikel-Nr. ria9783039109975_new
Anzahl: Mehr als 20 verfügbar
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Editor(s): Maeder, Beverly; Schwyter, Juerg; Sigrist, Ilona; Vejdovsky, Boris. Series: Transatlantic Aesthetics and Culture. Num Pages: 373 pages, fig. BIC Classification: AB; DSBH. Category: (G) General (US: Trade). Dimension: 157 x 225 x 20. Weight in Grams: 662. . 2006. 1st Edition. Paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9783039109975
Anzahl: Mehr als 20 verfügbar
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Taking their cue from the polymorphous relationship between word and image, the essays of this book explore how different media translate the world of phenomena into aesthetic, intellectual or sensual experience. They embrace the media of poetry, fiction, drama, engraving, painting, photography, film and advertising posters ranging from the early modern to the postmodern periods. At the heart of the volume lie essays on works that characteristically perform intriguing interactions between the verbal and visual modes. They discuss the manifold ways in which artists as different as William Blake or Gertrude Stein, Diane Arbus or Stanley Kubrick heighten the tension between the linguistic and the seen. Taken both individually and collectively, this volume's contributions illuminate the problematics of how readers and spectators/lookers transform verbal and visual representation into worlds of seeming. Artikel-Nr. 9783039109975
Anzahl: 1 verfügbar
Anbieter: preigu, Osnabrück, Deutschland
Taschenbuch. Zustand: Neu. The Seeming and the Seen | Essays in Modern Visual and Literary Culture | Boris Vejdovsky (u. a.) | Taschenbuch | Kartoniert / Broschiert | Englisch | 2006 | Peter Lang | EAN 9783039109975 | Verantwortliche Person für die EU: Kolibri 360 GmbH, Ettore-Bugatti-Str. 6-14, 51149 Köln, produktsicherheit[at]kolibri360[dot]de | Anbieter: preigu. Artikel-Nr. 103751056
Anzahl: 5 verfügbar
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Paperback. Zustand: Brand New. 1st edition. 373 pages. 8.50x6.00x0.75 inches. In Stock. Artikel-Nr. x-3039109979
Anzahl: 2 verfügbar