An Associative Art History searches for the place of Czech, Slovak and Eastern European postwar art in global history. Resisting the mere repetition of Western canonization, the publication aims not to fruitlessly compare East and West, but rather to decipher the circumstances under which artworks are created, theorized and compared to each other. How do Knížák, Kolar, Koller and Kovanda relate to Situationism, Minimalism and Fluxus? What does Jindrich Chalupecký have to do with Clement Greenberg?
Czech art historian and curator Tomáš Pospiszyl recounts a history of contemporary Eastern European art by highlighting emblematic stories of the art scene’s protagonists, mixing personal anecdotes with artistic agendas. This collection of nine essays, on topics spanning from 1939 to 2013, proposes a new reading of the visual arts during the Iron Curtain era and after.
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Tomáš Pospiszyl (né en 1967) est critique, conservateur, historien de l'art et enseignant tchèque. Il a publié de nombreux ouvrages sur l'art des XXe et XXIe siècles et a coécrit, avec Laura Hoptman, Primary Documents: A Sourcebook for Eastern and Central European Art Since the 1950s (MIT Press, 2002). Il enseigne à L'Académie du film et à l'Académie des beaux-arts de Prague.
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Softcover. Zustand: As New. Leichte Kratzer / Abnutzungen / Druckstellen. This publication explores the role of Czech, Slovak, and Eastern European postwar art within global history, intentionally avoiding the typical Western canonization processes. Its focus is on understanding the contexts in which artworks are created and theorized, emphasizing their interconnections rather than comparing Eastern and Western neo-avant-gardes. Tomas Pospiszyl highlights key narratives from the Eastern European art scene, blending personal stories with artistic agendas. Artists from former Czechoslovakia, such as Knizak, Kolar, Koller, and Kovanda, are examined alongside Situationists, Minimalists, and Fluxus figures. The text also connects these historical figures with contemporary Czech artists like Kotatkova, Mancuska, and Seda. Through nine essays spanning 1939 to 2013, the collection offers a fresh perspective on visual arts during and after the Iron Curtain era, linking various artistic ideologies to the political and social contexts of the West. Pospiszyl draws parallels between the theories of Clement Greenberg and Jindrich Chalupecky, suggesting they are akin to "identical twins raised apart," shaped by a shared intellectual background. The volume is introduced by British art historian Sven Spieker and is part of the Documents series, co-published with Les presses du réel and tranzit.cz. Artikel-Nr. 11e166e8-7315-4702-acf4-36897a00a2fe
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Softcover. Zustand: Sehr gut. 1. Auflage. Z : 15 x 21 cm, 304 pages, 15 b/w illustrations - This publication searches for the place of Czech, Slovak, and Eastern European postwar art in global history. Artikel-Nr. ABE-1594030850591
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