Throughout the 20th century, the performing and visual arts have often converged. As artists investigated the embodied value of form, dancers and choreographers experimented with interfaces between annotation and improvisation. These encounters are the focus of this collection, which discusses the interaction of the two mediums since the first public performance of the Judson Dance Theater in 1962. Contributors include Cindy Van Acker, Gabriele Brandstetter, Sarah Burkhalter, Pauline Chevalier, Mark Franko, Katrin Gattinger, Julie Enckell Julliard, Anne Teresa De Keersmaeker, Magali Le Mens, Laetitia Legros, Anna Lovatt, Nolwenn Mégard, Robert Morris, OpenEndedGroup, Nadia Perucic, Catherine Quéloz, Yvonne Rainer, Robin Rhode, Susan Rosenberg, Laurence Schmidlin, Katia Schneller, Alexander Schwan, Alan Storey and Catherine Wood.
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Softcover. Zustand: Sehr gut. 1. Auflage. Z : 240 pages, 20 b/w illustrations - A collection of original essays focusing on the specific interaction of dance and drawing during the second half of the 20th century. Artikel-Nr. ABE-1594030774037
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