This volume explores contemporary French women’s writing through the prism of one of the defining moments of modern feminism: the writings of the 1970s that came to be known as «French feminism». With their exhilarating renewal of the rules of fiction, and a sophisticated theoretical approach to gender, representation and textuality, Hélène Cixous and others became internationally recognised for their work, at a time when the women’s movement was also a driving force for social change. Taking its cue from Les Femmes s’entêtent, a multi-authored analysis of the situation of women and a celebration of women’s creativity, this collection offers new readings of Monique Wittig, Emma Santos and Hélène Cixous, followed by essays on Nina Bouraoui, Michèle Perrein and Ying Chen, Marguerite Duras and Mireille Best, and Valentine Goby. A contextualising introduction establishes the theoretical and cultural framework of the volume with a critical re-evaluation of this key moment in the history of feminist thought and women’s writing, pursuing its various legacies and examining the ways theoretical and empirical developments in queer studies, postcolonial studies and postmodernist philosophies have extended, inflected and challenged feminist work.
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Margaret Atack is Professor of French at the University of Leeds.
Alison Fell is Professor of French Cultural History at the University of Leeds
Diana Holmes is Professor of French at the University of Leeds
Imogen Long is Lecturer in French at the University of Hull.
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Softcover. Zustand: Gut. VIII, 268 pp. A perfect copy. - Summary: This volume explores contemporary French women's writing through the prism of one of the defining moments of modern feminism: the writings of the 1970s that came to be known as «French feminism». With their exhilarating renewal of the rules of fiction, and a sophisticated theoretical approach to gender, representation and textuality, Hélène Cixous and others became internationally recognised for their work, at a time when the women's movement was also a driving force for social change. Taking its cue from Les Femmes s'entêtent, a multi-authored analysis of the situation of women and a celebration of women's creativity, this collection offers new readings of Monique Wittig, Emma Santos and Hélène Cixous, followed by essays on Nina Bouraoui, Michèle Perrein and Ying Chen, Marguerite Duras and Mireille Best, and Valentine Goby. A contextualising introduction establishes the theoretical and cultural framework of the volume with a critical re-evaluation of this key moment in the history of feminist thought and women's writing, pursuing its various legacies and examining the ways theoretical and empirical developments in queer studies, postcolonial studies and postmodernist philosophies have extended, inflected and challenged feminist work. - Contents: Introduction: Epistemologies, Politics, Fictions (Margaret Atack / Alison S. Fell / Diana Holmes / Imogen Long) -- 1. Le Brouillon pour un dictionnaire des amantes (1976) de Monique Wittig et Sande Zeig : une entreprise littéraire du savoir féministe ? (Chloé Jacquesson) -- 2. (Re)Reading Trauma and Schizophrenia in the Work of Emma Santos (Emma Murdoch) -- 3. Hélène Cixous's L'Indiade ou l'Inde de leurs rêves: Gendering Memories of Colonialism in Algeria and India (Beatrice Ivey) -- 4. Looking Again at La Jeune Née: Feminine Poets in Hélène Cixous's Voile noire voile blanche (Martina Williams) -- 5. La scène 'primultime' de la mort : corps mourant, corps parlant ou les mécanismes de la greffe scripturale dans Homère est morte d'Hélène Cixous (Maribel Peñalver Vicea) -- 6. The Gendering of Space: A Study of Michèle Perrein's Gemma lapidaire (1976) and Ying Chen's Espèces (2012) (Gabrielle Parker) -- 7. Marguerite Duras and Mireille Best: A Forgotten Literary Legacy (Stephanie Schechner) -- 8. Transgressing the Rules of Autobiography: Nina Bouraoui's La Voyeuse interdite (Annick Durand) -- 9. Body, Narration, History: Valentine Goby's Occupation Novels (Margaret Atack) -- Conclusion (Margaret Atack / Alison S. Fell / Diana Holmes / Imogen Long). ISBN 9783034322096 Sprache: Englisch Gewicht in Gramm: 550. Artikel-Nr. 1103883
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Taschenbuch. Zustand: Neu. Neuware -This volume explores contemporary French women¿s writing through the prism of one of the defining moments of modern feminism: the writings of the 1970s that came to be known as «French feminism». With their exhilarating renewal of the rules of fiction, and a sophisticated theoretical approach to gender, representation and textuality, Hélène Cixous and others became internationally recognised for their work, at a time when the women¿s movement was also a driving force for social change. Taking its cue from Les Femmes s¿entêtent, a multi-authored analysis of the situation of women and a celebration of women¿s creativity, this collection offers new readings of Monique Wittig, Emma Santos and Hélène Cixous, followed by essays on Nina Bouraoui, Michèle Perrein and Ying Chen, Marguerite Duras and Mireille Best, and Valentine Goby. A contextualising introduction establishes the theoretical and cultural framework of the volume with a critical re-evaluation of this key moment in the history of feminist thought and women¿s writing, pursuing its various legacies and examining the ways theoretical and empirical developments in queer studies, postcolonial studies and postmodernist philosophies have extended, inflected and challenged feminist work.Books on Demand GmbH, Überseering 33, 22297 Hamburg 276 pp. Englisch. Artikel-Nr. 9783034322096
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Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This volume explores contemporary French women's writing through the prism of one of the defining moments of modern feminism: the writings of the 1970s that came to be known as «French feminism». With their exhilarating renewal of the rules of fiction, and a sophisticated theoretical approach to gender, representation and textuality, Hélène Cixous and others became internationally recognised for their work, at a time when the women's movement was also a driving force for social change. Taking its cue from Les Femmes s'entêtent, a multi-authored analysis of the situation of women and a celebration of women's creativity, this collection offers new readings of Monique Wittig, Emma Santos and Hélène Cixous, followed by essays on Nina Bouraoui, Michèle Perrein and Ying Chen, Marguerite Duras and Mireille Best, and Valentine Goby. A contextualising introduction establishes the theoretical and cultural framework of the volume with a critical re-evaluation of this key moment in the history of feminist thought and women's writing, pursuing its various legacies and examining the ways theoretical and empirical developments in queer studies, postcolonial studies and postmodernist philosophies have extended, inflected and challenged feminist work. Artikel-Nr. 9783034322096
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