Though architecture is clearly not the sole focus of Dan Graham's work, it is one of his themes of predilection, as much in his photography as in his photography as in his installations and writings. How does Dan Graham use architectural ideas and functions, and in return, how can architectural thinking react to his accusations and justifications? This volume attempts to understand and evaluate his work from the perspective of modern and contemporary architecture, the necessary meeting-point for the basic questions he develops: urbanism, public/private space, socio-political life, ideological critique, the role of language in the visual-kinetic perception of the building (with ideas from the Russian formalists, Bakhtin, Mevdev, Shlovsky), or the effects on the constitution and transformation of the ego since the appearance of glass as a construction material. This approach promises to shed a clearer light on questions that belong not only to the separate fields of art and architecture.
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Though architecture is clearly not the sole focus of Dan Graham's work, it is one of his themes of predilection, as much in his photography as in his photography as in his installations and writings. How does Dan Graham use architectural ideas and functions, and in return, how can architectural thinking react to his accusations and justifications? This volume attempts to understand and evaluate his work from the perspective of modern and contemporary architecture, the necessary meeting-point for the basic questions he develops: urbanism, public/private space, socio-political life, ideological critique, the role of language in the visual-kinetic perception of the building (with ideas from the Russian formalists, Bakhtin, Mevdev, Shlovsky), or the effects on the constitution and transformation of the ego since the appearance of glass as a construction material. This approach promises to shed a clearer light on questions that belong not only to the separate fields of art and architecture.
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122 pp.; 21.5 x 16.5; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Critical theory of Dan Graham's work. Contributions by Jacinto Lageira, Marc Perelman, Alain Charre. "Though architecture is clearly not the sole focus of Dan Graham's work, it is one of his themes of predilections, as much as photography as in his photography as in his installations and writings. How does Dan Graham use architectural ideas and functions, and in return, how can architectural thinking react to his accusations and justifications? This volume attempts to understand and evaluate his work from the perspective of modern and contemporary architecture, the necessary meeting point for the basic questions he developes." -- from book's back cover. Good / Very Good. Light edge wear including 1 cm. and 5 mm. tear to surface layer of recto and light overall rubbing of covers. Discrete small rubber stamp logo inside rear cover, otherwise contents clean and unmarked. Artikel-Nr. 25762
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Zustand: New. Translator(s): Holmes, Brian; Wright, Stephen. Num Pages: 124 pages, 19 colour & 12 b&w illustrations. BIC Classification: AGB; AM. Category: (G) General (US: Trade); (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 220 x 164 x 8. Weight in Grams: 327. . 1996. Paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9782906571426
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Taschenbuch. Zustand: Neu. Neuware - Though architecture is clearly not the sole focus of Dan Graham's work, it is one of his themes of predilection, as much in his photography as in his photography as in his installations and writings. How does Dan Graham use architectural ideas and functions, and in return, how can architectural thinking react to his accusations and justifications This volume attempts to understand and evaluate his work from the perspective of modern and contemporary architecture, the necessary meeting-point for the basic questions he develops: urbanism, public/private space, socio-political life, ideological critique, the role of language in the visual-kinetic perception of the building (with ideas from the Russian formalists, Bakhtin, Mevdev, Shlovsky), or the effects on the constitution and transformation of the ego since the appearance of glass as a construction material. This approach promises to shed a clearer light on questions that belong not only to the separate fields of art and architecture. Artikel-Nr. 9782906571426
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