“A critical intervention in the high stakes debate about the social value of jails and what we could do instead to create safety and justice.” —Alex Vitale, author of The End of Policing
In the tradition of Locking Up Our Own and The New Jim Crow, a rarely seen, thought-provoking journey into Rikers Island and the American justice system that “reframes the debate the country’s incarceration crisis, with a compelling focus on architecture as a path forward (Tony Messenger, Pulitzer Prize–winning author of Profit and Punishment).
For nearly a century, the Rikers Island jail complex has stood on a 413-acre manmade island in the East River of New York. Today it is the largest correctional facility in the city, housing eight active jails and thousands of incarcerated individuals who have not yet been tried. It is also one of the most controversial and notorious jails in America.
Which is why, when mayor Bill de Blasio announced in 2017 that Rikers would be closed within the next decade, replaced with four newly designed jails located within the city boroughs, the surface reaction seemed largely positive. Many were enthusiastic, including Eva Fedderly, a journalist focused on the intersections of social justice and design, who was covering the closure and its impact for Architectural Digest. But as Fedderly dug deeper and spoke to more people involved, she discovered that the consensus was hardly universal. Among architects tasked with redesigns that reconcile profits and progress, the members of law enforcement working to stop incarceration cycles in community hot spots, the reformers and abolitionists calling for change, and, most wrenchingly, the incarcerated and formerly incarcerated people whose lives will be most affected, some agreed that closing Rikers was a step in the right direction, but many were quick to point out that Rikers was being replaced, not removed. On one point, however, there was firm agreement: whatever the outcome, the world would be watching.
Part on-the-ground reporting, part deep social and architectural history, These Walls is an eye-opening, “insightful…bracing look at how the nation’s jails—and the nation itself—ought to be reformed” (Kirkus Reviews) and a challenge to our long-held beliefs about what constitutes power and justice.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Eva Fedderly’s investigative reporting has been published in Architectural Digest, New York magazine, The Christian Science Monitor, Esquire, and Courthouse News, where she reported hundreds of news-breaking stories on the American legal system. She is a graduate of UC Berkeley and Harvard University, and lives in New York City and New Orleans. These Walls is her first book.
Chapter One: Rikers Island ONE Rikers Island
Our 21-minute call was almost up, but by now we were used to it. Every time Moose buzzed, the line was tapped. At least the call was free.
A dystopian haze had settled over New York City. Stoplights flicked from red to green to yellow, but there was no hum of cars, no symphony of horns at rush hour. Birds flew overhead, yet few planes soared through the open sky. The restaurants and theaters of Times Square were dark, but giant screens and billboards glowed like a scene out of a sci-fi thriller. It was 2020 and the COVID-19 pandemic had gripped the globe. Life, as we knew it, stood still.
Inside New York City’s jails, life was far more unsettling. As the pandemic crawled on, my phone number slipped from cinderblock cell to cell, traveling like wildfire through the city’s web of detention centers; daily dispatches were reported from the Manhattan Detention Complex, the Brooklyn Detention Complex, and the Vernon C. Bain Center, a looming barge floating off the coast of the South Bronx. Together, these jail facilities housed 2,500 beds. None was more dysfunctional, more problematic than Rikers Island, which at its peak in the 1990s warehoused over 21,000 people. Resting in the murky-green East River, this island houses not one but ten jails, eight of which are still active. Situated between the boroughs of Queens and the Bronx, Rikers—like all the city’s jails—is governed by the New York City Department of Correction. Each day, this government agency transports about one tenth of Rikers’ population to courthouses residing in the boroughs. (The city annually spends $31 million on these trips alone.) Even though Rikers rests just 100 yards from LaGuardia Airport’s runways, this 413-acre island is completely isolated. Because of this, it’s also self-sustaining, with its own bus depot, fire station, chapel, K9 unit, bakery, multiple trailers, a garden surrounded by razor wire, and a 30,000-square-foot power plant.
When the pandemic hit, jail programs shut down, visitors were barred from entering, mail delivery slowed, and basic services, like the jails’ barber shops, shuttered, leaving people’s hair and nails long and jagged. Some told me soap was scarce; social distancing, nearly impossible. Concrete cells were filled with fecal matter and urine, and some had inoperable sinks. Gnats circled rotting food on worn floors. People said they weren’t given masks or hand sanitizer; Virex disinfectant was rarely distributed—one person said just every two weeks. Another reported that the George R. Vierno Center—one of Rikers’ men’s jails—was “the epicenter of the disease.” It was like sitting on death row without a sentence.
We were in the early stages of the pandemic, in May 2020, when Moose first called. Protests over the recent murders of Ahmaud Arbery and George Floyd were crescendoing across the nation. Civil unrest shook the country, as the pandemic raged on. Citizens demanded we defund the police. New York City mayor Bill de Blasio would soon declare a state of emergency and issue a citywide curfew for the “health and welfare” of New Yorkers.
“This is a call from”—a man stated his name—“an incarcerated individual at the New York City Department of Correction,” the automated announcement said.
A polite baritone voice came through the line and introduced himself. I was surprised by his cheerful disposition, despite the grim circumstances.
“Judges call me ‘Jack.’ Friends call me ‘Moose.’?”I
“How do you spell it?” I asked, grabbing a pen. “M-O-U-S-S-E?”
The voice let out a bellow of laughter, a Moose signature with which I became well acquainted. “Not like the dessert!”
I cracked a smile.
“Moose. M-O-O-S-E.” He guffawed again.
When the pandemic first hit, Moose had been locked up on Rikers, the latest in his long string of stints in New York City’s jail system. Owing to the pandemic, New York City—and other jurisdictions around the country—released people with “nonviolent” charges.II New York City’s total jail population dropped from 5,458 to 3,824, its lowest number since the 1940s. Among the released was Moose. He’d been roaming the Free World, strolling the streets of the Bronx—homebase when he’s not in the joint—where he rediscovered the rhythm of freedom.
“It felt so good to be out in the sunshine,” Moose recalled. “Every day I was out in the sun, with Purell on my trigger finger.”
Moose wasn’t long for the Free World. While on the move, he misplaced his parole officer’s phone number. He also got shot. “One bullet landed in my arm near my elbow,” he said. “But I got an image to uphold in my neighborhood, so I laughed and drank beer.” Less than three weeks later, the cops pinched him on 176th Street. He landed back in jail, the bullet still lodged in his arm.
“Sorry about your arm,” I said. “You get it bandaged?”
“They haven’t taken me to see anyone yet. I’m still waiting for them to wrap it.” He paused. “I’m hoping to get released soon. Maybe Monday.”
“Oh, wow, that soon.”
His tone shifted to serious. “I heard you’re writing a book about Rikers. How can I help?”
Rikers Island has many names: “Torture Island,” “The Gladiator School,” and the “House of Dead Men.” During hot spells, it’s “The Oven,” since many cells lack air-conditioning. This island is one of the largest and most expensive jail complexes in the United States. Each jail on Rikers is defined by its own architecture, warden, staff, and people locked inside. There is one trait that most incarcerated people here share: most are untried.
Like the rest of America’s jails, Rikers holds people who have not been convicted of a crime; they have not been sentenced. Though Americans are supposed to be presumed innocent until found guilty, jails are designed to hold those who have not yet seen their day in court. They wait, month after month, sometimes year after year, for their alleged constitutional right to a speedy trial. While prisons house those who’ve been convicted and sentenced with long-term, even lifetime stays (the longest sentence ever received was 10,000 years, according to Guinness World Records), jails remain, overwhelmingly, the institutions for those who can’t afford bail (a small percentage of the population is serving sentences under one year). The justice system forces them to serve as human collateral behind these walls.
Though this is a crucial difference between a prison and a jail, the distinction is often not understood by those outside the criminal justice system. Some of America’s most epic films, greatest writers, most respectable newspapers, and most prudent editors use the terms jail and prison interchangeably. Even today, when conversations about justice reform are at one of their most potent points, many members of the media and the public don’t recognize the difference between a jail and a prison. To be clear, jails and prisons are not fungible. Many get this wrong from the start, revealing a frightening lack in awareness of how America’s...
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc. Artikel-Nr. 00097691672
Anzahl: 1 verfügbar
Anbieter: BooksRun, Philadelphia, PA, USA
Paperback. Zustand: Very Good. Reprint. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Artikel-Nr. 1982193921-11-1
Anzahl: 1 verfügbar
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Paperback. Zustand: Brand New. reprint edition. 202 pages. 8.25x5.50x0.75 inches. In Stock. Artikel-Nr. x-1982193921
Anzahl: 2 verfügbar
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. 2024. paperback. . . . . . Books ship from the US and Ireland. Artikel-Nr. V9781982193928
Anzahl: Mehr als 20 verfügbar
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - "A critical intervention in the high stakes debate about the social value of jails and what we could do instead to create safety and justice." Alex Vitale, author of The End of Policing In the tradition of Locking Up Our Own and The New Jim Crow, a rarely seen, thought-provoking journey into Rikers Island and the American justice system that "reframes the debate the country's incarceration crisis, with a compelling focus on architecture as a path forward (Tony Messenger, Pulitzer Prizewinning author of Profit and Punishment).For nearly a century, the Rikers Island jail complex has stood on a 413-acre manmade island in the East River of New York. Today it is the largest correctional facility in the city, housing eight active jails and thousands of incarcerated individuals who have not yet been tried. It is also one of the most controversial and notorious jails in America. Which is why, when mayor Bill de Blasio announced in 2017 that Rikers would be closed within the next decade, replaced with four newly designed jails located within the city boroughs, the surface reaction seemed largely positive. Many were enthusiastic, including Eva Fedderly, a journalist focused on the intersections of social justice and design, who was covering the closure and its impact for Architectural Digest. But as Fedderly dug deeper and spoke to more people involved, she discovered that the consensus was hardly universal. Among architects tasked with redesigns that reconcile profits and progress, the members of law enforcement working to stop incarceration cycles in community hot spots, the reformers and abolitionists calling for change, and, most wrenchingly, the incarcerated and formerly incarcerated people whose lives will be most affected, some agreed that closing Rikers was a step in the right direction, but many were quick to point out that Rikers was being replaced, not removed. On one point, however, there was firm agreement: whatever the outcome, the world would be watching. Part on-the-ground reporting, part deep social and architectural history, These Walls is an eye-opening, "insightful?bracing look at how the nation's jailsand the nation itselfought to be reformed" (Kirkus Reviews) and a challenge to our long-held beliefs about what constitutes power and justice. Artikel-Nr. 9781982193928
Anzahl: 2 verfügbar