A REESE’S BOOK CLUB PICK and INSTANT NEW YORK TIMES BESTSELLER
“A profound, beautiful novel.” —People * “Poignant.” —BuzzFeed * “A breathtaking story of the unimaginable prices paid for a better life.” —Esquire
This “heartbreaking portrait of a family dealing with the realities of migration and separation” (Time) is “a sweeping love story and tragic drama [and] an authentic vision of what the American Dream looks like in a nationalistic country” (Elle).
I often wonder if we are living the wrong life in the wrong country.
Talia is being held at a correctional facility for adolescent girls in the forested mountains of Colombia after committing an impulsive act of violence that may or may not have been warranted. She urgently needs to get out and get back home to Bogotá, where her father and a plane ticket to the United States are waiting for her. If she misses her flight, she might also miss her chance to finally be reunited with her family.
How this family came to occupy two different countries, two different worlds, comes into focus like twists of a kaleidoscope. We see Talia’s parents, Mauro and Elena, fall in love in a market stall as teenagers against a backdrop of civil war and social unrest. We see them leave Bogotá with their firstborn, Karina, in pursuit of safety and opportunity in the United States on a temporary visa, and we see the births of two more children, Nando and Talia, on American soil. We witness the decisions and indecisions that lead to Mauro’s deportation and the family’s splintering—the costs they’ve all been living with ever since.
Award-winning, internationally acclaimed author Patricia Engel, herself a dual citizen and the daughter of Colombian immigrants, gives voice to all five family members as they navigate the particulars of their respective circumstances. Rich with Bogotá urban life, steeped in Andean myth, and tense with the daily reality of the undocumented in America, Infinite Country “is as much an all-American story as it is a global one” (Booklist, starred review).
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Patricia Engel is the author of Infinite Country, a New York Times bestseller and Reese’s Book Club selection; The Veins of the Ocean, winner of the Dayton Literary Peace Prize; It’s Not Love, It’s Just Paris, winner of the International Latino Book Award; and Vida, a finalist for the Pen/Hemingway and Young Lions Fiction Awards, New York Times Notable Book, and winner of Colombia’s national book award, the Premio Biblioteca de Narrativa Colombiana. She is a recipient of fellowships from the Guggenheim Foundation and the National Endowment for the Arts. Her stories appear in The Best American Short Stories, The Best American Mystery Stories, The O. Henry Prize Stories, and elsewhere. Born to Colombian parents, and herself a dual citizen, Patricia is an associate professor of creative writing at the University of Miami.
Chapter One ONE
It was her idea to tie up the nun.
The dormitory lights were cut every night at ten. Locked into their rooms, girls commanded to a cemetery silence before sleep, waking at dawn for morning prayers. The nuns believed silence a weapon, teaching the girls that only with it could they discover the depths of their interior without being servants to the temptations of this world.
To be fair, the nuns were not all terrible. Some, Talia liked very much. She even admired how they managed to turn the condemned penitentiary population into mostly orderly damitas. It was a state facility. A prison school for youth offenders. Not a convent and no longer a parochial school. The lay staff reminded the sisters to aim for secularity, but on those missioned mountains, the nuns ran things as they pleased.
During the day, under the nuns’ watch, the girls practiced their downcast gazes. They attended classes, therapy sessions, meditation groups, completed chores uniformed in gray sweats, hair pulled back. Forbidden from gossip and touching, but they did both when out of sight.
At night, in the blackness of their dormitory, they gathered to whisper in shards of windowpane moonlight. When the nuns patrolled the hall outside their room, they became masterful mutes, reading lips, inventing their own sign language, moving quiet as cats, creeping like thieves. They listened for the nuns’ footsteps on the level below, sensing vibrations on the wooden floor planks; the search for rule breakers, disruptors their guardians would schedule for punishment at daybreak.
The night of the escape, the girls made purposeful noise so the nun on duty would come tell them to be quiet. Sister Susana was on the nightshift. There were many latecomer nuns at the facility leftover from some other failed life. The rumor was Sister Susana was married until her husband divorced her because she couldn’t have children.
The plan originated with Talia. Or maybe her father deserved the credit. That afternoon she was given rare permission to phone him from the administrative office. Family contact was restricted, since the staff believed they could be a girl’s worst influence. Talia hoped to hear Mauro say he found a way to free her, have her sentence lifted. Paid a fine or convinced one of the rich residents of the apartment building where he worked as a janitor to call in a favor on her behalf.
One never knows who might be listening, especially in a quasi jail for minors, some of whom were murderers on the verge. Talia and Mauro were careful with their words. He’d tried everything, he said. There was nothing more he could do. She understood. Liberating herself from the prison, and the country, would be up to her.
With the help of another girl, she spent an hour ripping bedsheets, twisting them tight as wire, thin as rope. She counted to one thousand in the darkness, then gave the signal for the other girls to start shouting, “Fire! Fire! Fire!”
Sister Susana appeared in the doorway. Talia waited to catch her from behind with a pillowcase over the head. They’d cut breathing holes because they weren’t trying to kill anyone, only to paralyze with fright. Talia held the nun while the others tied her to a chair with the shredded sheets, her breath hot on Talia’s hands as another girl shoved a sock between her teeth to gag screams.
When Talia arrived to the prison school a month earlier, Sister Susana had called her into her office and told the fifteen-year-old she’d studied her life, as if that file of police jottings and psychological assessments on her desk could reveal anything that mattered.
“You’re not like other girls here,” she began.
Yes, I am, Talia wanted to say. She didn’t want to be singled out, treated as an exception if it meant putting the other girls down.
“I believe it was your desire for justice that led you to do an awful thing. But you badly injured a man. You could have blinded him.”
A pause. The rattle of voices in the cafeteria down the hall. She knew Sister Susana was waiting for a response. A denial perhaps. More likely an admission of guilt. The nuns were always scavenging for remorse.
“Do you want to change? With faith and discipline anything is possible.”
Talia was not stupid, so she said yes.
The girls locked Sister Susana in their room with the same key she used against them each night. Nobody would look for her or for the girls until morning. The sisters and lay staff were in charge of their correction and safety. There were security guards on the property, but they were all men, so the nuns made them stay by the front gates to prevent the girls from developing crushes and the guys from trying to seduce them, as if that were a greater menace than an uprising, the girls taking the building under siege as happened all the time in men’s prisons; the illusion that women are safer among women.
The girls returned to their silence. Twelve to a room, the building held four dormitories in different corners of the building, each under the patrol of rotating nuns and staff. They knew the other girls. They had classes and meals with them every day. That night they wouldn’t worry about them, though, and Talia no longer worried about the girls with whom she planned her escape. The careless or slow would jeopardize her freedom. They would flee to boyfriends, friends, or relatives willing to hide them. But she had less than one week to get back to Bogotá, to the airport and out of Colombia.
When they hurried down the service stairs, out through the back garden to run across the sports field and over the concrete wall spiked with broken glass to the road as plotted, she broke away from the cluster, hustling east past the courtyard, through the gate into the forested hills spiraling down toward the valley.
Halting in a shadow before her final bolt, she saw the guards in the watchhouse by the prison driveway, hypnotized by the glare of a small TV. She’d assumed them to be some kind of police. They carried guns, and the girls believed they could chase and shoot them in the legs if they were caught trying to escape.
She ran alone in the fog, through dirt and thicket. It hadn’t rained in a few days, so there was little mud. She heard night creatures. Frogs. Owls. Hissing insects. Through the tree canopy, the rustle of rodents or bats. An hour passed. Maybe two. Lights congealed. An illuminated road laced the forest curtain. She followed until she heard barking dogs warn she’d come too close to the fences of a finca, so she moved down the hill to the street.
If you’d passed her in a car as she walked, small in her baggy captivity uniform, an expression more lost than determined, you might not have thought her a fugitive from the school for bad girls up the mountain, the place said to reform criminals in the making.
She came to a gas station far from any route the other girls would have taken, approached a grandfatherly man in worn jeans filling up his truck tank, and asked for a ride.
“Where are you headed?”
“Anywhere but here.” She only knew the facility was somewhere in Santander and the nearest town was San Vicente de Chucurí.
The man scratched his beard. “A word of advice. Don’t ever tell a stranger you’ll go anywhere.”
“I need to head south. I hope to make it all the way to Tunja, but I’ll take any route to get there.” She...
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