Building on the groundbreaking Techno-Orientalism: Imagining Asia in Speculative Fiction, History, and Media, published by Rutgers University Press in 2015, Techno-Orientalism 2.0: New Intersections and Interventions addresses the impact of a volatile post-pandemic present on speculative futures by and about Asians. The backdrop of this highly anticipated follow-up is a world that is radically different than in 2015: COVID-19, threats of a “new cold war” with China, Russia’s invasion of Ukraine, and the reemergence of “strong man” politics around the world. An essential volume for this new critical juncture in Asian American history, Techno-Orientalism 2.0 catalogs intersectional dialogue with discourses such as Afrofuturism, Indigenous futurities, environmentalism, and disability studies. It also engages with recent high-profile and lesser-known works of Asian and Asian American speculative fiction, film, television, anime, art, music, journalism, architecture, state-sponsored policies and infrastructural projects, and the now-dominant China Panic.
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DAVID S. ROH is a professor and chair of the Department of English at the University of Utah. He is the author of Minor Transpacific: Triangulating American, Japanese, and Korean Fictions and Illegal Literature: Toward a Disruptive Creativity , and coeditor of Techno-Orientalism: Imagining Asia in Science Fiction, History, and Media (Rutgers University Press, 2015).
BETSY HUANG is a professor of English at Clark University, Massachusetts. She is the author of Contesting Genres in Contemporary Asian American Fiction and coeditor of three essay collections: Techno-Orientalism: Imagining Asia in Speculative Fiction, History, and Media (Rutgers University Press, 2015), Diversity and Inclusion in Higher Education and Societal Contexts, and Asian American Literature in Transition, 1996–2020.
GRETA AIYU NIU is an independent scholar based in Rochester, New York, and is coeditor of Techno-Orientalism: Imagining Asia in Speculative Fiction, History, and Media (Rutgers University Press, 2015).
CHRISTOPHER T. FAN is an associate professor of English at the University of California Irvine. He is the author of Asian American Fiction After 1965: Transnational Fantasies of Economic Mobility.
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