Editing the Harlem Renaissance foregrounds an exhaustive approach to editing and editorial issues, exploring not only those figures who edited in professional capacities, but also those authors who employed editorial practices during the writing process and those texts that have been discovered or edited by others following the Harlem Renaissance.
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Joshua M. Murray is assistant professor of English and the pre-law and paralegal studies coordinator at Fayetteville State University. He specializes in African American literature with emphasis on the Harlem Renaissance, transnationalism, and autobiography & life writing. His work has been published in MidAmerica, Teaching Hemingway and Race, Critical Insights: Harlem Renaissance, and Gale Researcher. He has forthcoming articles on Claude McKay's previously unpublished manuscript Romance in Marseille and Langston Hughes's use of the oceanic as critical idiom for African diasporic kinship. He is currently developing a book manuscript that underscores the historical and literary significance of transnational liminality in the Harlem Renaissance.
Ross K. Tangedal is assistant professor of English and director of the Cornerstone Press at the University of Wisconsin - Stevens Point. He specializes in American print culture and publishing studies, textual editing, and book history, with emphasis in Ernest Hemingway, F. Scott Fitzgerald, and midwestern literature. His work has been published in South Atlantic Review, The Hemingway Review, The F. Scott Fitzgerald Review, Authorship, and others. He is a contributing editor for the NEH-funded Hemingway Letters Project (Cambridge UP) as well as associate editor for Volume 6 (forthcoming 2021). In 2018, Hastings College Press published Tangedal's edition of John Herrmann's Foreign Born, a lost novel of the American home front during World War I.
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