Huong Ng�: Ungrafting - Softcover

Softcover

ISBN 10: 1941753655 ISBN 13: 9781941753651

Verlag: Inventory Press, 2024

Ng� tackles the legacy of French colonialism in Vietnam through its invasive introduction of foreign trees and grafts

Huong Ng� (born 1979) is a Hong Kong–born artist based in Santa Barbara. Her conceptual, research-based practice often takes the form of installation, printmaking and nontraditional mediums. Ungrafting looks at histories of colonial violence, specifically French colonialism in Vietnam, as well as resistance movements, through image-making, translations and material investigations. Ng� turns to a series of early 20th-century photographs showing foreign trees and tree grafts planted in Vietnam by the French. For the artist, grafting―a procedure that involves cutting and splicing different species into a single plant―serves as a powerful metaphor for the physical violence inherent in colonialism. An essay by Justin Quang Nguy�n Phan, and conversations between Ng� and Aline Lo and Evyn L� Espiritu Gandhi and Chadwick Allen, reflect on the connection between Ng�’s exhibition and global anticolonialism, the trans-Indigenous and the role of the archive in artistic production.

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Ng� tackles the legacy of French colonialism in Vietnam through its invasive introduction of foreign trees and grafts.

Huong Ng� (born 1979) is a Hong Kong-born artist based in Santa Barbara. Her conceptual, research-based practice often takes the form of installation, printmaking and nontraditional mediums. Ungrafting looks at histories of colonial violence, specifically French colonialism in Vietnam, as well as resistance movements, through image-making, translations and material investigations. Ng� turns to a series of early 20th-century photographs showing foreign trees and tree grafts planted in Vietnam by the French. For the artist, grafting-a procedure that involves cutting and splicing different species into a single plant-serves as a powerful metaphor for the physical violence inherent in colonialism.

An essay by Justin Quang Nguy�n Phan, and conversations between Ng� and Aline Lo and Evyn L� Espiritu Gandhi and Chadwick Allen, reflect on the connection between Ng�'s exhibition and global anticolonialism, the trans-Indigenous and the role of the archive in artistic production.

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