Francesca Woodman: Catalogue of the Exhibition at San Francisco Museum of Modern Art, 2011/2012 und Solomon R. Guggenheim Museum, New York, 2012 - Hardcover

Inhaltsangabe

Francesca Woodman (1958 - 1981) was an artist decisively of her time, yet her photographs retain an undeniable immediacy. Thirty years after her death, they continue to inspire a cultlike following of admirers, drawn by the work's dazzling ambiguities and remarkably rich explorations of self-portraiture and the human body in architectural space.
Woodman began photographing at he age of thirteen. By the time she enrolled by the Rhode Island School of Design in 1975, she was already an accomplished photographer with a singularly mature and focused approach to her work. At the age of twenty-two, she committed suicide. Woodman might be merely a tragic footnote in the history of photography were it not for the compelling, complex, and artistically resolved body of work she produced in just nine brilliant years. Woodman also left behind question that have preoccupied critics and scholars ever since: Was she a prodigy, arriving fully formed as a photographer at a very young age, or was she a student, in the early, experimental phase of a promising career? Was she a feminist, or does her investment in the female form signal something else entirely? And to what extent does her biography, cut short, bear relevance to her work?

Produced in conjunction with the first major American exhibition of the artist's work in more than two decades, this catalogue is a landmark reconsideration of Woodman for the twenty-first century. Thoughtfully written and richly illustrated with many previously unpublished photographs, it provides a fresh overview of her achievement and reflects on why her pictures continue to be so profoundly affective long after their making.

Exhibition:
San Francisco Museum of Modern Art
The Guggenheim Museum, New York In the thirty years since her death, FrancescaWoodmans work has retained an undeniable immediacy and continues to inspire a cult-like following of admirers.Woodman began photographing at the age of thirteen. By the time she enrolled at the Rhode Island School of Design in 1975, she was already an accomplished photographer with a remarkably mature and focused approach to her work. At the age of twenty-two, she committed suicide. Woodman might be merely a tragic footnote in the history of photography were it not for the startlingly compelling, complex and artistically resolved body of work she produced during her short career. Her oeuvre represents a remarkably rich and singular exploration of the human body in space and of the genre of self-portraiture in particular. Her practice assimilated and advanced aspects of feminist theory, Conceptualist practice, and performance art. Thus, a close re-examination of the maturation and reception of Woodmans artistic vision presents an important and timely opportunity to reassess the heady artistic moment during which she came of age. This catalogue, produced by the San Francisco Museum of Modern Art in conjunction with the first major American exhibition of the artists work in more than two decades, promises to be a landmark reconsideration of Woodman for the twenty-first century. It will paint a fuller picture of her oeuvre than has previously been available, spanning her earliest student experiments to her late, large-scale blueprint studies of caryatid-like figures for the massive Temple Project, and her experiments with fashion photography. The exhibition will bring to light many photographs that have never before been exhibited or published, and the book will focus on these and other vintage prints that theWoodman estate is making available for this exhibition and publication. These rare prints will allow audiences to appreciateWoodmans skill as a printer, and to grasp the importance of the final print to her artistic vision. Through all of these means, Francesca Woodman will examine why her photographs continue to be so profoundly affective many decades after their making.

Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.