“Write me a poem/called a map of the winds,” asks Mark Statman’s son. Knowing he can’t, Statman writes one instead about father and son, about belief and Brooklyn. In this new poetry collection, Statman investigates what it means to look at the world, to live in the world, and to wonder about it in ways that are at once speculative and specific. Whether traveling (England, South America, Italy, across the United States) or being at home, this practice of looking closely and imagining, translates into poems that are spare and descriptive (“concentrated and bare as any poetry,” writes David Shapiro). At once direct and elusive, these poems show how the closer Statman gets to understanding what he sees, what results is the realization that he has not seen enough, perhaps not at all, yielding another investigation, another series of imperative questions.
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“Write me a poem/called a map of the winds,” asks Mark Statman’s son. Knowing he can’t, Statman writes one instead about father and son, about belief and Brooklyn. In this new poetry collection, Statman investigates what it means to look at the world, to live in the world, and to wonder about it in ways that are at once speculative and specific. Whether traveling (England, South America, Italy, across the United States) or being at home, this practice of looking closely and imagining, translates into poems that are spare and descriptive (“concentrated and bare as any poetry,” writes David Shapiro). At once direct and elusive, these poems show how the closer Statman gets to understanding what he sees, what results is the realization that he has not seen enough, perhaps not at all, yielding another investigation, another series of imperative questions.
Mark Statman’s recent books are Tourist at a Miracle (Hanging Loose, 2010), poetry, the translations Black Tulips: The Selected Poems of José María Hinojosa (University of New Orleans, 2012) and, with Pablo Medina, of García Lorca’s Poet in New York (Grove 2008). An Associate Professor of Literary Studies at Eugene Lang College, The New School for Liberal Arts, he has received a number of awards and fellowships from, among others, the National Endowment for the Arts, the National Writers Project, the Virginia Center for the Creative Arts, and the Columbia Scholastic Press Association. His work has appeared in nine anthologies, and such publications as Tin House, Hanging Loose, South Dakota Review and APR.
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