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Outfoxed: Rupert Murdoch's War on Journalism - Softcover

Kitty, Alexandra; Greenwald, Robert

 
9781932857115: Outfoxed: Rupert Murdoch's War on Journalism

Inhaltsangabe

The director of 2004's smash hit documentary Outfoxed: Rupert Murdoch's War on Journalism teams with journalist Alexandra Kitty in an even more detailed and updated examination of how media empires, led by Rupert Murdoch's Fox News, have been running a "race to the bottom" in television news. They examine media consolidation by focusing on the Fox News Channel: How did Fox gain prominence? How did the Fox News Channel gain audiences and influence public debate? How does Fox report reality? Is the network merely interpreting events or is it pushing propaganda? Who are the main players and how do they treat their friends and enemies? Why should readers care about how Fox takes liberties with its facts?

Each chapter blends interviews from Greenwald's documentary, transcripts from Fox programs, and other research pertaining to Fox News not only to illustrate the Fox "mentality," but also to show the factual, ethical and structural problems with the news channel. Interviews and transcripts are analyzed to give readers a strong sense of what Fox is actually telling its audiences.

As well as Outfoxed, Robert Greenwald executive produced Unprecedented: The 2000 Presidential Election, produced and directed Uncovered: The War On Iraq and most recently produced Unconstitutional: The War on our Civil Liberties, about the erosion of American civil liberties following the events of September 11.

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Über die Autorinnen und Autoren

Alexandra Kitty is a journalist who specializes in crime and media issues. She has a BA in psychology from McMaster University and a MA in journalism from the University of Western Ontario. She lives in Hamilton, Ontario.

As well as Outfoxed, Robert Greenwald executive produced Unprecedented: The 2000 Presidential Election, produced and directed Uncovered: The War On Iraq and most recently produced Unconstitutional: The War on our Civil Liberties, about the erosion of American civil liberties following the events of September 11.


Alexandra Kitty is a journalist who specializes in crime and media issues. She has a BA in psychology from McMaster University and a MA in journalism from the University of Western Ontario. She lives in Hamilton, Ontario.

As well as Outfoxed, Robert Greenwald executive produced Unprecedented: The 2000 Presidential Election, produced and directed Uncovered: The War On Iraq and most recently produced Unconstitutional: The War on our Civil Liberties, about the erosion of American civil liberties following the events of September 11.

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OUTFOXED

By Alexandra Kitty

Red Wheel/Weiser, LLC

Copyright © 2005 Alexandra Kitty & Robert Greenwald
All rights reserved.
ISBN: 978-1-932857-11-5

Contents

Introduction: "Fox News? You're Crazy!" by Robert Greenwald,
Part One: Consolidating the News,
Chapter One: Monopolistic Tendencies,
Chapter Two: Shrinkage,
Chapter Three: Survival of the Fittest,
Part Two: Darwin's Darlings,
Chapter Four: Murdoch,
Chapter Five: Ailes,
Part Three: The World According to Fox,
Chapter Six: The Foxification of Reality,
Chapter Seven: The Partisan Press,
Chapter Eight: Enemies of the Murdochian State,
Chapter Nine: The Predators,
Chapter Ten: O'Reilly—The Rabid Fox,
Chapter Eleven: Guest Shots,
Part Four: The Fox Factor,
Chapter Twelve: Crazy Like a Fox,
Chapter Thirteen: Thin-Skinned Fox,
Chapter Fourteen: If Wal-Mart Ran the News,
Chapter Fifteen: News for Sale,
Chapter Sixteen: Fear of the Fox,
Part Five: Fox Hunting,
Chapter Seventeen: After the Fox,
Chapter Eighteen: Thinking Outside the Fox,
References,
About the Authors,


CHAPTER 1

Monopolistic Tendencies

"There should be no limit to diversity."

Rupert Murdoch


Without free speech there can be no accurate news: people generally do not wantto air dirty little secrets about their dangerous, immoral, corrupt or vilepractices, and if they have the power to censor any unflattering dirt that canhurt their reputation, bragging rights or careers, they will do it. Why facescorn, punishment or accountability when a sunny press release touting yourlatest pseudo-achievement works more in your favor? Human nature craves secrecyand self-preservation, but society's preservation depends on transparency andthe freedom to expose and express.

Personal or collective inconvenience can put a damper on a person's aura, yetthose self-serving reasons aren't enough to justify the blacking out ofinformation. If a government obstructs the press from investigating an army'satrocities or a politician's illegal and corrupt dealings, then news is reducedto propaganda, carny tactics, lies, delusions and advertising—all of which maybe perfectly useful to those who are scamming the public, but are useless tothose who are being fleeced.

People need unfiltered and accurate information to navigate through and make theright decisions in their lives. Without knowing the real story, the public islulled into believing that everything is all right with their world, even as allthe subtle, muted signs are desperately screaming that a cataclysm is fastapproaching. Lies hurt both individuals and society in the longrun; that'sprecisely why journalists are supposed to tell their audience exactly what'shappening around them. Anything less can do irreparable harm to bothjournalistic credibility and the audience's quality of life.

For a profession that prides itself on being objective, truthful, accurate,unbiased, fair and balanced, journalism is shamelessly careless and vague withits terms and definitions. Exactly what does objectivity mean? What is definedas a credible source? Precisely how many facts are supposed to be included inany news report? Who can be considered a qualified reporter?

The answer to all these questions is simple: it depends on who you ask and atwhat time of the day you ask them. Though journalism is supposed to rely on hardfacts, it is often muddled with qualifiers, speculations, vague terms andwaffling. Objectivity means being fair and balanced for some journalists, butnot for others. Some believe in objectivity; others renounce it, but both mayhave vastly differently ideas of what it means.

The realm of journalistic ethics is also a quagmire of ifs, buts and maybes. Isit ever all right to interview close colleagues? What are the rules ofdisclosure? When is it ethical to interview parents of murdered children? Is itmoral to name an alleged rape victim? Should obituaries dredge up past sins?Should ethics and morals even be a consideration?

In other words, the purveyors of precise data have never had the discipline towork within well-defined and precise boundaries.

The American model of journalism has been both one of the most liberating andmost confining paradigms for the profession. This model is based on the honorsystem and the fundamental belief that a free market, lax regulation, freedom ofexpression and a strong commitment to objectivity will all inevitably lead toreporters producing reliable and credible information. Both journalists andtheir employers will work together in harmony: the first group free todisseminate information, the second free to make as much profit as they can andregular citizens free to use their products without suspicion. Just leavereporters and news owners on their own to do their jobs, and they will becompelled to report the Truth.

But neither how that truth will be uncovered and presented, nor whetherjournalists and media owners will have clashing interests, has ever beenadequately addressed by the American model of reporting. In fact, the economicrealities of the news business never come into play in the theory of howjournalists are supposed to do their jobs. Economics is economics and journalismis journalism, and the two schools are kept separate. The focus on the editorialside of the business was key to the American model. The paradigm was supposed togive journalists the freedom to report the news as it happens—the way ithappens. Truth and transparency were the reporter's main worries, not the profitmargins, branding fancies or the consolidation aspirations of their employers.What the news consumer ultimately read in the paper or saw on the newscast wasthe unvarnished truth. Journalism focused on the reporters, producers andeditors who were uncovering and processing the news, not the ones who owned thenews.

Except that reporters and editors aren't the ones who have the ultimate say inhow they deliver information; they are hired by others to deliver theinformation. Audiences almost never point an accusatory finger at mediaconglomerates when a journalist goes astray; they blame the reporter, hiseditors and perhaps the individual outlet itself. Few news consumers cast a waryeye on the people who issue the reporter's paycheck—they write abusive e-mailsto journalists, not to the Chairman of the Board. Theorists never envisioned amedia landscape where only a handful of companies controlled the flow and slantof stories. Somehow, in all of the various debates as to how journalists shoulddo their jobs, no one remembered to think about the biggest constraint andobstacle reporters contend with: their own employers.

Journalism theories have a tendency to assume a reporter's biggest oppressor isthe government—whether the oppression takes the form of censorship, deniedaccess to classified information, stifling laws or the promiscuous misuse ofslander and libel suits. But governments are not the only ones who have thepower of oppression, censorship and intimidation. A corporation that pulls inbillions and employs thousands of people has comparative powers to a government:it can not only discredit, banish and exile the heretics, but it can alsopropagandize, sanitize, demonize, bureaucratize and do just about any otherizeit feels is warranted.

But in a country of many mini-nations, oppression doesn't have to necessarilycome from the media conglomerate: it can be attacked by another corporate statethat feels threatened. Sometimes the oppression comes...

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