For four decades Jeremy Beckett has shone a light on previously marginalised fields of life. While the many went in search of 'traditional culture', Beckett was fascinated to learn how people who often lacked wider recognition of their Aboriginality went about their lives. In the process he changed our understandings of those people and highlighted the issues they confronted. He has enriched our appreciation of the diversity of Indigenous identities and experiences. He was an expert witness leading up to the Mabo decision, and has brought Australian Indigenous studies into a world framework. His work continues to be influential to many: those who revisit his ideas here; and those who are newer to his work.
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Jeremy Beckett taught anthropology at the University of Sydney, was a Visiting Professor at the City University of New York Graduate Center, the Australian National University, New York University, and the University of Texas at Austin. He has carried out long term field research with Australian Aboriginal people and Torres Strait Islanders including ethnomusicology, has been involved in native title recognition and in the contextualisation of Indigenous identities in the postcolonial world.
Foreword,
Acknowledgments,
Introduction,
1 George Dutton's Country: Portrait of an Aboriginal Drover,
2 Walter Newton's History of the World — or Australia,
3 Aboriginal Histories, Aboriginal Myths: An Introduction,
4 Autobiography and Testimonial Discourse in Myles Lalor's 'Oral History',
5 The Torres Strait Islanders and the Pearling Industry: A Case of Internal Colonialism,
6 Rivalry, Competition and Conflict Among Christian Melanesians,
7 Mission, Church and Sect: Three Types of Religious Commitment in the Torres Strait Islands,
8 'Knowing How to Talk to White People': Torres Strait Islanders and the Politics of Representation,
9 The Murray Island Land Case,
10 Aboriginality, Citizenship and Nation-State,
11 Contested Images: Perspectives on the Indigenous Terrain in the Late Twentieth Century,
Index,
George Dutton's Country: Portrait of an Aboriginal Drover
I first met George Dutton in the winter of 1957. I had come to the little town of Wilcannia, on the Darling River, in the course of a study of part-Aborigines in the far west of New South Wales. My assignment was to investigate their place in 'outback' Australian society. I had not intended to search for remnants of the Indigenous culture — indeed, my advisers had led me to believe that there would be none. But I found a dozen old men and a few women who had been initiated, and I was soon devoting a part of my time to working with those who were ready and articulate enough to tell me something about the 'dark people's rules'. It was frustrating, time-consuming work, and I might not have attempted it had it not given me an occasion for being among Aborigines who were suspicious about, and more or less uncomprehending of, my interest in their present-day affairs. I found, moreover, that it provided the basis for a closer relationship than I could achieve with any of the younger generation.
I had already heard of George Dutton while working on the Lachlan. When I came to Wilcannia, everyone agreed that he was the man to see: 'He knew forty lingos!' They directed me to the outskirts of town, where a score or so of scrap iron humpies stood scattered in the saltbush and mallee scrub. Some youths in cowboy hats and high-heeled boots led me past the wrecked cars, over the broken glass and rusty tins, to a rough single-room shanty, just big enough for the two beds in which he, his small son and two daughters slept. Dutton was sitting outside playing cards, a tall, emaciated half-caste of about seventy, his long, sallow face sunken with the loss of his teeth, under his broad brimmed stockman's hat. I stated my business but he was unresponsive, saying he might come and see me tomorrow.
I felt I had been fobbed off, but he came. He explained that he wasn't going to talk in front of the young people because they only made fun of the old ways. He dictated a few myths and then drifted away to a poker school. Rather to my surprise, he didn't ask me for any money or even seem to expect payment. But I had to pursue him to get more. It took some time to convince him that I wanted more than the few folk tales that had proved enough to satisfy the tourists he had met before. Perhaps also it took time for him to marshal the knowledge that had lain so long untapped. I kept off ritual, having found other old men very
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