Drawing on road trips across the USA made with her young son, photographer Justine Kurland reappraises the intertwined myths of the open road, the nuclear family, and American expansion.
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Justine Kurland, known for her utopian photographs of American landscapes and their fringe communities, has spent the better part of the last twenty years on the road. Her recent work contemplates her origins: her apartment in New York City, her hometown of Fulton, New York, and her mother’s home in rural Virginia. In these pages Kurland adds collage to her ongoing commitment of imagining a better world for women. Born in Warsaw, New York, 1969, she received her BFA from the School of Visual Arts and her MFA from Yale University. Her work is in the public collections of institutions including the Guggenheim Museum, Museum of Modern Art, Whitney Museum of American Art, and International Center of Photography, among others. Her publications include SCUMB Manifesto (2022).
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Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
First Edition. First edition. Oblong hardcover. Number 736 from an edition of only 1000 copies. Features essays by Constance Debre and Lily Cho. A leperello that features color photographs taken by Kurland between 2004 and 2010. A fine copy in boards with two flaps and in the publisher's plastic bag. Signed by Kurland in the rear of the book. Includes an original photograph that measures 8" wide by 6.375" high. The photograph is in fine condition and is signed and numbered by Kurland on the verso. Signed. Artikel-Nr. 213997
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Anbieter: Paradou Books, Richmond, VA, USA
Hardcover. Zustand: As New. Leporello bound hardcover, embossed with 2 flaps and tipped-in image to front cover. 25.3 x 18.3cm, 102 pages. Includes a handmade print by the artist (20.3 x 16.4cm). Signed on verso, #818/1000. As new. Free U.S. shipping. This publication from Justine Kurland presents two interwoven narratives drawn from the road trips across the United States that she undertook with her young child between the years 2005 and 2010. The first thread is a sequence of arresting large-format photographs of her child and herself, disentangled from the renowned images of roads, trains, infrastructure, and fellow travelers Kurland was making at the same time. Revisiting these photographs, Kurland suggests a clarified reading of them as an anti-history of family and travel, upending the conventional family album to tell a story of queer motherhood and image-making in step with Kurland s maternal line, for whom crossing the American landscape was a matter of dire necessity. On the other side of this unspooling concertina publication are Kurland s photographs of the railroads which traverse the American landscape. Deconstructing the familiar mythology of the railway as a pioneering symbol of modernity, these images observe the reality of the ways these routes carve and stain the landscape, often overwhelmed by surrounding nature, leaving behind barren strips of sun-stained asphalt and eerily perfect parallel tracks. Bookended by new texts from Constance Debré and Lily Cho, This Train treats the American landscape as the fabricated tableau that it is, a cultural fable which conceals histories of Chinese migrant labor and the human cost of freedom. Kurland re-appraises an interwoven set of paradigms which retain a tenacious grip on contemporary American life: the nuclear family, the open road, the violence of expansion, and the intractable force of the land itself. Signed by Author(s). Artikel-Nr. ABE-1730818362623
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