A celebration of an artist whose under-sung legacy testifies to the enduring power of originality, drive, and devotion.
Accompanying an exhibition at Philip Mould & Company, Without Hands presents the art of Sarah Biffin. Biffin (1784–1850) was born with phocomelia, a condition described on her baptism record as “born without arms and legs.” After learning to sew and write as a child, Biffin joined a traveling sideshow where she painted in front of an audience. Eventually, she rose to fame as a talented miniaturist, signing many of her works “without hands.”
Despite her prolific output, including commissions from royalty and exquisitely detailed self-portraits, Biffin’s work has been overlooked by art historians. Beautifully illustrated and including original research, Without Hands celebrates Biffin as an artist who challenged contemporary attitudes to disability.
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Emma Rutherford is a portrait miniatures consultant at Philip Mould & Company, London. Ellie Smith is a researcher at Philip Mould & Company, London.
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Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Paperback. Zustand: Very Good. Accompanying a major exhibition at Philip Mould & Company, Without Hands: The Art of Sarah Biffin presents the work of the remarkable 19th-century disabled artist who has been largely overlooked by art historians. This book and exhibition celebrate her art, life and legacy. Sarah Biffin (17841850) came from humble origins yet rose to fame in the 19thcentury as an exceptionally talented miniaturist. As a working-class, disabled female artist, her artworks many proudly signed without hands are a testament to her talent and life-long determination. Despite her prolific artistic output, Biffins life and work has been largely overlooked by art historians until now. Sarah Biffin was born with the condition phocomelia, described on her baptism record as born without arms and legs. She spent her childhood in her family home where she learnt to sew and write. Biffin was later contracted to Mr Dukes, who ran a travelling sideshow, where Biffin would write and paint in front of an audience. The crowds who turned up left with a sample of her writing included in the cost of their ticket. In her mid-twenties she began formal tuition with a miniature painter, William Marshall Craig, and from 1816 she set herself up as an independent artist. Biffin travelled extensively, exhibiting her artwork and taking commissions all over the country, before finally settling in Liverpool. Throughout her long and successful career, she took commissions from nobility and royalty, and recorded her own likeness across the years through exquisitely detailed self-portraits. Working closely with the projects advisor artist Alison Lapper MBE (born with the same condition as Sarah Biffin 180 years later) and consultant and contributor Professor Essaka Joshua (specialist in Disability Studies at the University of Notre Dame, Indiana) this publication and exhibition seek to celebrate Biffin as a disabled artist who challenged contemporary attitudes to disability. It is fully illustrated and includes original research. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Artikel-Nr. GOR013228688
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Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Paperback. Zustand: Brand New. 103 pages. French language. 9.75x7.50x0.50 inches. In Stock. Artikel-Nr. __1913645363
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Soft cover. Zustand: Fine. 1st Edition. A Fine copy with pristine interior and barely a trace of use to pictorial French wraps - the faintest hint of rubbing only. Please see five pictures attached for a closer look. Artikel-Nr. ABE-1727011489221
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