Gregory Leadbetter’s first full collection of poems, The Fetch, brings together poems that reach through language to the mystery of our being, giving voice to silence and darkness, illuminating the unseen. With their own rich alchemy, these poems combine the sensuous and the numinous, the lyric and the mythic.
Ranging from invocation to elegy, from ghost poems to science fiction, Leadbetter conjures and quickens the wild and the weird. His poems bring to life a theatre of awakenings and apprehensions, of births and becoming, of the natural and the transnatural, where life and death meet. Powerful, imaginative, and precisely realised, The Fetch is also poignant and humane – animated by love, alive with the forces of renewal.
‘The Fetch is a terrific, precise and dazzling collection. The whole book exemplifies a poetry of being that shows what is possible when we allow ourselves to be fully human in our perception and poetry.’ – David Morley
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Gregory Leadbetter’s books and pamphlets of poetry include Caliban (Dare-Gale Press, 2023), a New Statesman Book of the Year 2023; Balanuve, with photographs by Phil Thomson (Broken Sleep, 2021); Maskwork (Nine Arches Press, 2020), longlisted for the Laurel Prize 2021; The Fetch (Nine Arches Press, 2016), and The Body in the Well (HappenStance Press, 2007). Recent work for the BBC includes the extended poem Metal City (Radio 3, 2023). A song-cycle featuring poems from The Fetch by the composer and pianist Eric McElroy has been performed internationally, and a recording with the tenor James Gilchrist was released in 2023. As a critic he publishes widely on the history and practice of poetry, and his book Coleridge and the Daemonic Imagination was awarded the University English Book Prize 2012. He is Professor of Poetry at Birmingham City University.
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