Büttner is best known for drawing out deeper layers of meaning from daily scenes that, at first glance, may seem banal. He creates surreal assemblages that question our systems of value and contradict our understanding of what elements or images may be brought together. His work confronts social norms with both irony and satire; while retaining a firm understanding of the history of painting, Büttner is constantly testing convention. His large-scale neo-Expressionist and neo-Dadaist works address social issues with a biting and wry humour. In doing so, Büttner uses all genres of painting, including still life, self-portraiture and history painting.
This lavishly-produced book presents newly commissioned texts as well as key essays relating to Büttner’s practice, and—taken with its sister volume dealing with his collage practice My Looting Eye—are the first substantial books on Büttner in English for many years.
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Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
First Edition. First edition and first printing. Hardcover. 263 pages. Monograph on the paintings of German artist Werner Buttner. Features texts by Fritz W. Kramer, Harald Falckenberg, Peter Wiebel, Gilda Williams, John Slyce, and with a contribution by Buttner as well as a conversation between him and Werner Hofmann. Includes numerous illustrations, list of previous exhibitions, list of selected publications and records, and a list of works. An about very good copy in illustrated boards with some wear along the spine. No dust jacket as issued. Internally a clean copy. Please note that this is a heavy book and will require extra shipping. Artikel-Nr. 216815
Anzahl: 1 verfügbar
Anbieter: West Valley??, Wien, Österreich
Hardcover. Zustand: As New. "Büttner is best known for drawing out deeper layers of meaning from daily scenes that, at first glance, may seem banal. He creates surreal assemblages that question our systems of value and contradict our understanding of what elements or images may be brought together. His work confronts social norms with both irony and satire; while retaining a firm understanding of the history of painting, Büttner is constantly testing convention. His large-scale neo-Expressionist and neo-Dadaist works address social issues with a biting and wry humour. In doing so, Büttner uses all genres of painting, including still life, self-portraiture and history painting. This lavishly-produced book presents newly commissioned texts as well as key essays relating to Büttner's practice, and taken with its sister volume dealing with his collage practice My Looting Eye are the first substantial books on Büttner in English for many years." 264 pages. Artikel-Nr. ABE-1773688651925
Anzahl: 1 verfügbar
Anbieter: Optimon Books, Gravesend, KENT, Vereinigtes Königreich
Hardcover. Zustand: Good. Bttner is best known for drawing out deeper layers of meaning from daily scenes that, at first glance, may seem banal. He creates surreal assemblages that question our systems of value and contradict our understanding of what elements or images may be brought together. His work confronts social norms with both irony and satire; while retaining a firm understanding of the history of painting, Bttner is constantly testing convention. His large-scale neo-Expressionist and neo-Dadaist works address social issues with a biting and wry humour. In doing so, Bttner uses all genres of painting, including still life, self-portraiture and history painting. This lavishly-produced book pre. Artikel-Nr. 436919
Anzahl: 1 verfügbar