Creative Spaces: Urban Culture and Marginality is an interdisciplinary exploration of the different ways in which marginal urban spaces have become privileged locations for creativity in Latin America. The essays within the collection reassess dominant theoretical notions of 'marginality' in the region and argue that, in contemporary society, it invariably allows for (if not leads to) the production of the new.
While Latin American cities have, since their foundation, always included marginal spaces (due, for example, to the segregation of indigenous groups), the massive expansion of informal housing constructed on occupied land in the second half of the twentieth century have brought them into the collective imaginary like never before. Originally viewed as spaces of deprivation, violence, and dangerous alterity, the urban margins were later romanticized as spaces of opportunity and popular empowerment. Instead, this volume analyses the production of new art forms, political organizations and subjectivities emerging from the urban margins in Latin America, neither condemning nor idealizing the effects they produce.
To account for the complex nature of contemporary urban marginality, the volume draws on research from a wide spectrum of disciplines, ranging from cultural and urban studies to architecture and sociology. Thus the collection analyzes how these different conceptions of marginal spaces work together and contribute to the imagined and material reality of the wider city.
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Niall H.D. Geraghty is Associate Professor in Latin American Cultural Studies at University College London. Niall’s first book was The Polyphonic Machine: Capitalism, Political Violence, and Resistance in Contemporary Argentine Literature (University of Pittsburgh Press: 2019). He has published articles and book chapters on literature and film from Latin America, with a particular interest in memory, urban culture, and religion in the region. He is currently working on a project involving a radical re-examination of the work of Argentine artist León Ferrari (1920–2013) which also explores the interrelations between politics and religion in twentieth-century Argentina, and the potential correlations between contemporary philosophy and liberation theology.
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