Riot on Sunset Strip: Rock 'n' Roll's Last Stand in Hollywood - Softcover

Priore, Domenic

 
9781908279903: Riot on Sunset Strip: Rock 'n' Roll's Last Stand in Hollywood

Inhaltsangabe

“The Byrds were happenin’. Bob Dylan was happenin’. And it was the most beautiful time in my life …” Arthur Lee, Love

“If you’ve ever seen American Graffiti, the Strip used to be like that …” Stephen Stills, Buffalo Springfield

On the Sunset Strip in Los Angeles, an electrifying scene appeared out of nowhere, exploded into creativity, and then, just as suddenly, vanished. Riot on Sunset Strip captures the excitement of this great artistic awakening and serves as a startling evocation of the social and artistic revolution that was the 60s.

From the moment The Byrds debuted at Ciro’s on March 26th 1965—with Bob Dylan joining them on stage—right up to the demonstrations of November 1966, Sunset Strip nightclubs nurtured and broke The Doors, Love, Buffalo Springfield (featuring Neil Young and Stephen Stills), Frank Zappa’s Mothers Of Invention, Captain Beefheart & His Magic Band, The Turtles, The Mamas & The Papas, The Standells, The Electric Prunes, and so many more.

With a foreword by Arthur Lee, period maps by Shag, and a brand new epilogue, this book tells the story of the astonishing time when rock’n’roll displaced movies at the center of the action in Hollywood.

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Über die Autorin bzw. den Autor

Domenic Priore is a writer and television producer specialising in pop culture and music. He is the author of Beatsville (with Martin McIntosh) and Smile: The Story of Brian Wilson's Lost Masterpiece (with forewords by Brian Wilson and Van Dyke Parks), and was the main writer on the AMC documentaries Hollywood Rocks The Movies: The Early Years 1955-1970 (hosted by Ringo Starr) and Hollywood Rocks The Movies: The 1970s (hosted by David Bowie). A native of Los Angeles, Priore has now returned there after living in New York City and San Francisco.

Widely hailed as a genius, Arthur Lee was a character every bit as colorful and unique as his music. In 1966, he was Prince of the Sunset Strip, busy with his pioneering racially-mixed band Love, and accelerating the evolution of California folk-rock by infusing it with jazz and orchestral influences--a process that would climax in a timeless masterpiece, the Love album Forever Changes.

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