There is no evidence that Twelfth Night was especially popular in Shakespeare s day, but it is now widely seen as his greatest romantic comedy. Among its fans is the American academic Stephen Booth, who judges it to be one of the most beautiful man-made things in the world. In this short book, the distinguished Shakespearian critic David Schalkwyk argues that in Twelfth Night Shakespeare achieved an unmatched blend of erotic lyricism and festive laughter, edgy satire and romantic melancholy. With its main plot involving unrequited desire and loss of identity, and its parallel sub-plot of household jealousy and cruel gulling, it is, says Schalkwyk, as multi-faceted as any well-cut jewel.
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David Schalkwyk is currently Academic Director of Global Shakespeare, a joint venture between Queen Mary and the University of Warwick. He was formerly Director of Research at the Folger Shakespeare Library in Washington D.C. editor of the Shakespeare Quarterly. Before that he was Professor of English at the University of Cape Town, where he held the positions of Head of Department and Deputy Dean in the faculty of the Humanities. His books include Speech and Performance in Shakespeare s Sonnets and Plays (Cambridge, 2002), Literature and the Touch of the Real (Delaware, 2004), and Shakespeare, Love and Service (Cambridge, 2008). His most recent book is Hamlet s Dreams: The Robben Island Shakespeare, published in 2013 by the Arden Shakespeare. He is currently working on a monograph on love in Shakespeare.
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