Sooner or Later Frank finds Jeremy Reed optimising his London quarter of Soho and the West End, its outlaws, opportune strangers and rogue mavericks condensed into poems coloured by an imagery that pushes pioneering edges towards final frontiers. Right on the big city moment, and with an eye for arresting acute visual detail, Reed makes the capital into personal affairs. His characteristic love of glamour, rock music, seasonal step-changes, and a Ballardian preoccupation with the visionary render this new PBS Recommendation, in John Ashbery's words on Reed's recent work, 'a dazzling tour de force.'
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Called by the Independent 'British poetry's glam, spangly, shape-shifting answer to David Bowie', Jeremy Reed's poetry, fiction and performances are inimitable and utterly opposed to grey mainstream poetry. He has published over 40 books of poetry, fiction and non-fiction. His own work has been translated abroad in numerous editions and more than a dozen languages. He has received awards from the National Poetry, Somerset Maugham, Eric Gregory, Ingram Merrill, and Royal Literary Funds. He has also won the Poetry Society's European Translation Prize. He is widely acknowledged as the most imaginatively gifted British poet of his generation, praised by Seamus Heaney for his 'rich and careful writing' and by David Lodge for his 'remarkable lyric gift'. Bjork simply called his work 'the most beautiful, outrageously brilliant poetry in the world'. His Selected Poems were published by Penguin in 1987. Subsequent collections have been Nineties (Cape, 1990), Dicing for Pearls (1990), Pop Stars (1994), Sweet Sister Lyric (1996), Saint Billie (2001), Duck and Sally Inside (2004), This is How You Disappear (2007), and his collaboration with Marc Almond Piccadilly Bongo (2011), all from Enitharmon Press.
MONIKA, JUICE AND TOMATO SOUP,
Monika, Juice and Tomato Soup,
Wenlock Arms,
Through the Bar Window at the Magdala,
Blue Street Paint,
St Giles Blues,
Honey,
My London,
Spread Betting,
Death Date Cutie,
Bitter Blue,
Starbucks Pitch,
Persian Red,
Everywhere's Nowhere (Bob Dylan at 70),
Hart Crane's Jump,
Going Up,
Blue Hydrangeas,
Pie and Mash,
SOONER OR LATER FRANK,
Sooner or Later Frank,
Meeting Jimmy Page at Amuti 23,
Amy Winehouse's Blues,
Elvis Never Died,
Little Queenie,
AFTERLIFE TEXT,
Extraterrestrial Outlaws,
Dorian Gray: the Physicals,
Matthew Lewis,
Flip-Side,
Red Umbrella,
Thinking of Late Bowie,
It's that Time of the Year Again Bill,
Pissing into the Barbican Lake with Jamie McLeod,
Criminal Lovers,
Remember Me,
NEVER TOO BUSY TO BE BEAUTIFUL,
Moments,
Red Peony Solo,
Russian Tea,
Red Lipstick,
Rainbow Country,
A Life in Fridays,
SMOKE AND MIRRORS,
Su's Top Floor,
Spleen,
Smarties,
Closer,
My Death Shirt,
The Drop,
Joan Tierney Gone,
Red Lilies,
Château du Paradis,
Red Currant Jam,
Buying Cup Cakes,
Smoke and Mirrors,
February,
THIRD WORLD WAR BLUES,
Third World War Blues,
Red Guitar: pop song,
The Big Green Triangle,
My Neighbourhood,
Paint It Black,
Band of Outlaws,
Saint John, Jersey,
Steal,
Wandering (Rimbaud Remix),
Stephen Andrews,
Grape Hyacinths,
M&S Socks,
The Rolling Stones First,
NOWHERE TO RUN,
Off-world,
Nasturtiums,
Meeting Patti Smith,
You Ain't Going Nowhere,
Peter's Lay Out,
My End,
Maroon Dahlias,
Travelling Light,
WHAT BECOMES OF THE BROKEN HEARTED,
44 Bedford Court Mansions,
Maurice,
Maurice,
MONIKA, JUICE AND TOMATO SOUP
The zips are vertical on her black coat
four incidentals that I pull
into a fetish, a detail
like a jeans fly or waterfall,
the coat riding to ankle-length,
her black reflective glasses black on black
signalling implacable cool
her speciality's tomato soup
done Polish, 8 chopped tomatoes
the spiky onion roasted on slow flame,
the basil littering like seaweed rafts
across the Mars red surface: it's the X
factor goes in it makes it hers,
a tasty instinctual signature.
Her black hair's Cleopatra fringe seems blue
as thundery cobalt, and she's my juice
today for poetry – the image I
manipulate through my hot chemistry,
her coat the starting point, then her eyewear
lifted on irises so cornflower blue
they look like bits of floaty sky. Her name's
the way I think of her, three syllables
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Zustand: New. In these pages Jeremy Reed optimises his London quarter of Soho and the West End, its outlaws, opportune strangers and rogue mavericks condensed into poems coloured by an imagery that pushes pioneering edges towards final frontiers. Right on the big city moment, and with an eye for arresting acute visual detail, Reed makes the capital personal. Num Pages: 144 pages. BIC Classification: DCF. Category: (G) General (US: Trade). Dimension: 218 x 139 x 12. Weight in Grams: 192. . 2014. Paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9781907587412
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