"Why is that certain intervals, scales and tones sound genuine and others false? Is the modern person able to experience a qualitative difference in a tone's pitch? If so, what are the implications for modern concert pitch and how instruments of fixed tuning are tuned? Maria Renold tackles these and many other questions, providing a wealth of scientific data. Her pioneering work is the result of a lifetime's research into Western music's Classical Greek origins, as well as a search for new developments in modern times. She strives to deepen musical understanding through Rudolf Steiner's spiritual-scientific research, and she also elucidates many of Steiner's often puzzling statements about music."
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Maria Renold (1917-2003) spent her childhood in the United States, where her parents emigrated to found a eurythmy school in New York. She studied eurythmy and later violin and viola and toured with the Bush Chamber Orchestra and the Bush String Quartet. One of Maria Renold's deeply-felt questions concerned the correct concert pitch. When she heard of Rudolf Steiner's concert pitch suggestion of c = 128 Hz she put it into practice immediately, and experimented with it over many years in America and Europe. She also discovered a new method of tuning the piano, closer to the tuning of stringed instruments, arriving at the concert pitch of a1 = 432 Hz. First published in German in 1985, her book has become a modern classic of musical research.
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Zustand: New. Translator(s): Stevens, Bevis. Num Pages: 208 pages. BIC Classification: AVA; AVS. Category: (G) General (US: Trade). Dimension: 299 x 211 x 17. Weight in Grams: 626. . 2015. 2nd Revised edition. Paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9781906999735
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Zustand: New. Über den AutorMaria Renold (1917-2003) spent her childhood in the United States, where her parents emigrated to found a eurythmy school in New York. She studied eurythmy and later violin and viola and toured with the Bush Cha. Artikel-Nr. 597160326
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Taschenbuch. Zustand: Neu. Neuware - Why is it that certain intervals, scales, and tones sound genuine, while others sound false Is the modern person able to experience a qualitative difference in a tone's pitch If so, what are the implications for modern concert pitch and how instruments of fixed tuning are tuned Renold tackles these and many other questions and provides a wealth of scientific data. Her pioneering work is the result of a lifetime of research into the Classical Greek origin of Western music and the search for modern developments. She deepens our musical understanding by using Rudolf Steiner's spiritual science as a basis, and she elucidates many of his puzzling statements about music. The results of her work include the following discoveries: - The octave has two sizes (a 'genuine' sounding octave is bigger than the 'perfect octave')- There are three sizes of 'perfect fifths'- An underlying 'form principle' for all scales can be found- Equal temperament is not the most satisfactory method of tuning a piano- She provides a basis for some of Steiner's statements, such as, 'C is always prime' and 'C = 128 Hz = Sun.' Intervals, Scales, Tones is a valuable resource for those who wish to understand the deeper, spiritual aspects of music. Artikel-Nr. 9781906999735
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