The Image and the Witness: Trauma, Memory and Visual Culture is a timely interdisciplinary collection of original essays concerning the ethical stakes of the image in our visually-saturated age. It explores the role of the material image in bearing witness to historical events and the visual representation of witnesses to collective trauma. In arguing for the agency of the image, this unique collection debates post-traumatic memory, documentary ethics, embodied vision, and the recycling of images. It discusses works by Chris Marker, Errol Morris, Derek Jarman, Doris Salcedo, Gerhard Richter, and Boris Mikhailov, along with images from popular culture, including websites and home movies.
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Frances Guerin is a lecturer in film studies at the University of Kent. She is the author of A Culture of Light-Cinema and Technology in 1920s Germany.
Roger Hallas is assistant professor of English at Syracuse University.
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Zustand: New. 2007. Paperback. Editor(s): Hallas, Roger; Guerin, Frances. Num Pages: 224 pages, figures. BIC Classification: APF. Category: (UU) Undergraduate. Dimension: 234 x 157 x 20. Weight in Grams: 488. Trauma, Memory and Visual Culture. 224 pages, illustrations. Editor(s): Hallas, Roger; Guerin, Frances. Cateogry: (UU) Undergraduate. BIC Classification: APF. Dimension: 234 x 157 x 20. Weight: 490. . . . . . Books ship from the US and Ireland. Artikel-Nr. V9781905674190
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Zustand: New. Über den AutorrnrnEdited by Frances Guerin and Roger HallasKlappentextrnrn The Image and the Witness: Trauma, Memory and Visual Culture is a timely interdisciplinary collection of original essays concerning the ethi. Artikel-Nr. 597154717
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Taschenbuch. Zustand: Neu. Neuware - The Image and the Witness: Trauma, Memory and Visual Culture is a timely interdisciplinary collection of original essays concerning the ethical stakes of the image in our visually-saturated age. It explores the role of the material image in bearing witness to historical events and the visual representation of witnesses to collective trauma. In arguing for the agency of the image, this unique collection debates post-traumatic memory, documentary ethics, embodied vision, and the recycling of images. It discusses works by Chris Marker, Errol Morris, Derek Jarman, Doris Salcedo, Gerhard Richter, and Boris Mikhailov, along with images from popular culture, including websites and home movies. Artikel-Nr. 9781905674190
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