Rose English emerged from the Conceptual art, dance and feminist scenes of 1970s Britain to become one of the most influential performance artists working today.
Her uniquely interdisciplinary work combines elements of theatre, circus, opera and poetry to explore themes of gender politics, the identity of the performer and the metaphysics of presence. English has mounted performances in ice rinks; at the Royal Court Theatre and Tate Britain, London and Franklin Furnace, New York; and collaborated with horses, magicians and acrobats. This comprehensive monograph documents English's 40-year career to date, including legendary site-specific performances and large-scale spectaculars. Accompanying many rare archival photographs and performance scripts, a major essay by Guy Brett surveys the artist's work and times alongside interviews with two of English's closest collaborators, Sally Potter and Simon Vincenzi. Abstract Vaudeville is published in association with the exhibitions Rose English: The Eros of Understanding at Kunsthal Charlottenborg, Copenhagen and Rose English at Camden Arts Centre, London.Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Guy Brett (1942–2021) was a London-based art critic, curator and lecturer in art. In 1964, Brett co-founded Signals gallery, an influential and important space that gave a platform to experimental artists from Latin America and continental Europe. From 1964 to 1975 he was art critic of The Times, and from 1981 to 1983 he was visual arts editor of City Limits. During his career Brett wrote seminal monographic essays on artists such as Susan Hiller, Lygia Clark, Hélio Oiticica, David Medalla, Rose English, Mona Hatoum, Takis and others.
Rose English (b.1950) is a British artist whose interdisciplinary practice includes performance, installation, dance, film and theatre.
Anne-Louise Rentell is an Australian performance artist who works as a director, producer, performer and dramaturge.
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