Filmosophy is a provocative new manifesto for a radically philosophical way of understanding cinema. It coalesces twentieth-century ideas of film as thought (from Hugo Münsterberg to Gilles Deleuze) into a practical theory of "film-thinking," arguing that film style conveys poetic ideas through a constant dramatic "intent" about the characters, spaces, and events of film. Discussing contemporary filmmakers such as Béla Tarr and the Dardenne brothers, this timely contribution to the study of film and philosophy will provoke debate among audiences and filmmakers alike.
FILMOSOPHY ® is a registered U.S. trademark owned by Valentin Stoilov (www.filmosophy.com) for educational services in the field of motion picture history theory and production. Mr. Stoilov is not the source or origin of this book and has not sponsored or endorsed it or its author.
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Daniel Frampton is a London-based writer and filmmaker and the founding editor of the online salon-journal, Film-Philosophy.com.
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Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:1904764851. Artikel-Nr. 2933821
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Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Artikel-Nr. 67514716-6
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Zustand: New. pp. 256. Artikel-Nr. 92347127
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Anbieter: moluna, Greven, Deutschland
Zustand: New. Über den AutorDaniel FramptonKlappentextFilmosophy is a provocative new manifesto for a radically philosophical way of understanding cinema. It coalesces twentieth-century ideas of film as thought (fro. Artikel-Nr. 597151514
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Buch. Zustand: Neu. Neuware - Filmosophy is a provocative new manifesto for a radically philosophical way of understanding cinema. It coalesces twentieth-century ideas of film as thought (from Hugo M& uuml;nsterberg to Gilles Deleuze) into a practical theory of 'film-thinking,' arguing that film style conveys poetic ideas through a constant dramatic 'intent' about the characters, spaces, and events of film. Discussing contemporary filmmakers such as B& eacute;la Tarr and the Dardenne brothers, this timely contribution to the study of film and philosophy will provoke debate among audiences and filmmakers alike. Artikel-Nr. 9781904764854
Anzahl: 2 verfügbar