“Powered by an expressive black and white drawing style, reminiscent of Robert Crumb and the meticulous pointillist technique of Drew Friedman, the dark undertone of Bunjevac’s humour brings into light the range of socio-political issues her comics deal with, such as gender, nationalism or urban alienation, always from an ironic feminist perspective. Her chain-smoking, slightly alcoholic and manically depressed character Zorka may just be today’s ultimate antiheroine. A Balkan immigrant in the Brave New World, working in that same meat factory for the last twenty years, tormented by family constraints and her own secrete desires... we simply can’t get enough of her.” ― BTurn
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Nina Bunjevac started her art training in Yugoslavia, at the Djordje Krstic school for applied arts. In 1997, she graduated from OCAD in the Drawing and Painting department. Formerly a painter and a sculptor, Nina found her calling in sequential arts, a form that seemed to naturally evolve out of the narrative component in her sculpture installation work. Pen and ink became the medium of choice. Nina is also an art teacher. Multiple winner of the OAC Artist in Education grant, she has taken her cartooning and zine-making projects into a number of Toronto public schools. Her strips have been published in many European and North American publications including Mineshaft, Exile, Black, Giuda, Le Dernier Cri, Komikaze, and Broken Pencil. She is also the co-editor of the forthcoming Balkan Comics: Women on the Fringe.
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